Study your auction catalog!

November 23, 2009 | Category: Auctions, Commentary

I love auction catalogs: Even if I can’t afford to bid on what I really want – how many collectors can? – the catalogs make for fun reading.

Catalogs are also a great resource for collectors. Over time, they can give an idea of what’s out there on the market and – if you bother to check the hammer prices afterwards, which I strongly advise – what certain items may fetch. The operative word is “may,” of course; more on that in a moment.

If you collect within a narrow field, you may even see an item come up for auction more than once over a period of a few years. If it’s a rare or one-of-a-kind piece, it can help you to know what it sold for the last time it went on the block.

Lot descriptions are also informative, both for what they contain and what they don’t. A really good auction house with knowledgeable experts – Heritage Auctions in Dallas, say – will publish beautiful catalogs with insightful descriptions that contain valuable details about an item’s uniqueness, provenance, condition, etc. But don’t let that stop you from doing your own research: If you collect Theodore Roosevelt memorabilia, for example, and a letter from Teddy to a Mr. Joe Blow comes up for auction, do your homework and try to find out who Joe Blow actually was, if the auctioneer hasn’t done so already. Special associations often go unnoticed and only add to an item’s worth.

Here’s an example: A couple of years ago, a short 1909 Christmas greeting written by legendary 19th-century boxer/Civil War veteran Mike Donovan to a Capt. Jack Crawford came up for auction. Donovan’s handwriting wasn’t so legible, and the lot description querulously noted that Donovan referred to Crawford as “the Poet Scant.” “Scant”? I was confused too.

So I Googled “Capt. Jack Crawford, Poet Scant.” It turned out he was Captain Jack Crawford, “the Poet Scout,” who was a lot more famous than Donovan (at least, outside of pugilistic circles). Both men had been born in Ireland and served in the Union Army, so they obviously had some common bonds. Crawford became a cavalry scout in the Indian Wars and among the first to arrive at the site of the Little Bighorn after Custer’s Seventh Cavalry were massacred. Crawford was also famous as a frontier poet, hence the moniker: He used to pen his verse at campfires – while his compatriots were drinking, eating beans and farting, one imagines – published several books (pretty avidly collected today) and was active on the public reading circuit. AND he was a pal of Buffalo Bill Cody, with whom he later worked the Wild West show circuit.

All of this evaded the writer of the lot description, but it greatly enhanced the letter’s value – both to your humble correspondent and the guy who outbid me!

Anyway … bear in mind that while hammer prices may provide an indicator of an item’s fair-market value, nothing’s written in stone. Just as on eBay when two goons get in a bidding war and drive an item’s price ski-high up five days before the end of the auction, people in an online or live auction can get crazy and bid far beyond what they reasonably should. (Figure in the buyer’s premium as well.) So take hammer prices with a few grains of salt.

Conversely, you may get lucky – as I have more than once – and find a great item BURIED in an auction catalog among unrelated items: for example, an uncommon film star autograph hidden among sports memorabilia. Not only will other collectors of that film star miss the autograph (unless they collect sports memorabilia too) but the sports people will probably ignore the film star as well. Then you have the opportunity to nab a great item far below what it would ordinarily sell for.

In a nutshell: Look hard for those hidden gems among the other lots!

Read comments > Got chutzpah? Be the first.


The saucy side of June Cleaver?

November 19, 2009 | Category: Kitchen collectibles

Carolyn's KitchenWith the economy still lurching along and the holidays coming up, I predict a lot of people’s thoughts are going to be about home – that is, not losing it – and shopping for gifts online, rather than enduring the crush and myriad temptations of the malls.

For those with a newfound or longtime love of domesticity – and especially retro lovers – Carolyn West of Carolyn’s Kitchen in Beverly Hills offers an online selection of awfully nice aprons and other kitchen apparel modeled on what Grandma and Mom wore back in the 1940s, ’50s and ’60s.

“I wanted to bring back the glamour, sexiness, and cuteness of a bygone innocent era,” Carolyn writes on her Web site. “The gloves and fabrics are new and nicer – it’s a new and improved version of the ’40’s.

“I let my imagination run, and originated the embodiment of that ’40’s girl in the apron and gloves, living in our ultra modern age,” she adds. “Suzy Homemaker slaves over a hot microwave for minutes at a time, constant hostess to all, in and around her kitchen, (while being) enticing temptress to you know who, you know where.”

Of course, I picked up on the implications long before I read the above quote, just on seeing the aprons themselves. I mean, forget Martha Stewart, forget Betty Crocker – forget even Victoria’s Secret – these aprons are HOT. While the colors and patterns of some models arguably clash – polka dots and stripes, for example, or black and yellow – there’s certainly a wide enough variety to offer something for everyone. Indeed, Carolyn’s not-so-subtly-provocative kitchen wear (cupcakes, anyone?) seems to be getting lots of good press: Her aprons have been featured in the Washington Post’s Styles magazine and in Cooking Light, Accessories and Paula Deen’s Holiday Baking magazines.

When I explained to Carolyn that AmeriCollector.com is a collector’s site for all ages and, uh, mainstream sensibilities and that, in general, we try to draw a distinction between wholesome retro and risqué retro, she acknowledged that it’s hard for her to stay G-rated: “I’m wanting to go more edgy and sexy, yet not in the XX zone. It’s tricky!”

Carolyn's Kitchen Then again, you can ignore the naughty nuances altogether and get one of Carolyn’s designs for strictly home-economical reasons. After all, there are times when an apron is just an apron …

Carolyn’s aprons are all made in the U.S.A. and “carefully constructed with the highest quality 100% cotton fabric and eyelet lace trim.” They generally run between $30 and $42. Dishwashing gloves – some of which even have faux fur (talk about kitchen vixens!) – range from $22 to $24. The white gloves are hypoallergenic vinyl with a soft flock lining, the black and pink ones are made of natural rubber latex, but the thought of any of them gives me goose bumps.

View the goods – some modeled by Kinsey-era desperate housewives – at www.CarolynsKitchenOnline.com. (Free shipping on domestic orders over $100.)

Images courtesy of Carolyn’s Kitchen

Read comments > Got chutzpah? Be the first.


eBay: The thin line between love and hate

November 9, 2009 | Category: Auctions, Commentary

Seven things I LOVE about eBay

1. It’s the world’s largest flea market. Virtually EVERYTHING shows up there sooner or later. If you’re patient and experiment with keywords, you can find some great stuff at incredible prices just because other eBayers miss them.

2. Entrepreneurs of all types can sell online and even make a living without having Web sites of their own. eBay is the embodiment of cyber-capitalism. I predict that e-commerce will achieve in this century what America and Pamela Anderson couldn’t in the last: the destruction of communism, once and for all.

3. It’s a great place to meet people with the same interests. I’ll introduce you to a fellow collector and rival bidder of mine in an upcoming blog on AmeriCollector.com. Stay tuned.

4. The countdown feature is a big improvement. When sniping, you no longer have to refresh the page to time your bid.

5. The rating system gives a decent idea of the kind of seller you’re dealing with. I’ve run into a few incompetents and several cheapskates – people who charged five bucks for Priority Mail shipping, then sent the item by media mail for a buck – but after 650+ transactions I’ve never really been ripped off by anyone. (Paying with PayPal helps.) And when a seller failed to communicate with me after I won an item – at a steal, I might add; I thought he was going to renege on my win – eBay was very good about giving me his phone number so I could call the schmuck.

6. The “Watch This Item” feature is a big help. Ditto for “Buy It Now or Best Offer.” And did you know that if you have the current high bid, you can ask the seller to end the auction early and sell the item to you on “Buy It Now” if you can agree on a price? It beats the hell out of running the risk of losing it to another bidder.

7. You can collect without leaving the house. Sure, that can be bad for brick-and-mortar collectibles dealers, who make their money face-to-face, but let’s be honest: More often than not, those same dealers buy and sell on eBay themselves (and even buy items on eBay and re-list them there). eBay is no different from any other auctioneer – from Sotheby’s to Railroad Memories – that allows absentee bidding; they just do it online, on a larger scale. If exhibitors at antique and collectibles fairs or the guy who owns the sports memorabilia shop in downtown Podunk hate it when visitors look at their goods and say “I’ve seen it for less on eBay,” then those vendors should price their stuff competitively instead of whining about overhead.

Seven things I HATE about eBay

1. Outside auctioneers can get away with auctioning stuff without disclosing that there’s an established reserve price. I was the high bidder on an item in a GoAntiques auction and there was no indication that a reserve price had been set – let alone that I hadn’t met that reserve price – yet, GoAntiques wouldn’t sell the item to me; instead, they re-listed it. In effect, eBay failed to regulate the GoAntiques auction they hosted, allowing GoAntiques to outbid me themselves in order to try for a better price later. How is that different from “shill bidding,” in which you bid in your own auction to up the ante on an item – which is COMPLETELY against eBay rules, and for which you can be banned from eBay? (I e-mailed complaints both to GoAntiques and to eBay, but neither responded.)

2. There are legions of idiots who use every conceivable keyword to get their items in your face. That’s also against eBay rules: Crack a few heads already!

3. The new system of encrypting bidders’ names sucks. Under the old system, when people’s eBay “handles” were shown, I learned the bidding habits of folks I regularly bid against: Some would bid high, some wouldn’t; some would bid in huge chunks, others would bid in little increments, like old biddies (no pun intended) at a high-stakes Vegas Pai Gow table; some were even professional collectibles dealers, who wouldn’t bid beyond a certain point if they couldn’t resell the item at a reasonable profit. This was valuable knowledge that enabled me to bid effectively. Nowadays it’s more anonymous, with names like “t***1.” (I haven’t yet tried to keep track of these encryptions, but I’m going to start making a list.) eBay claims this is to protect bidders’ privacy, but it’s not nearly as much fun as bidding against missfit and whitezombie.

4. The word count for feedback is too low. If you really want to blast a lousy seller, 80 characters aren’t nearly enough.

5. It’s a pain in the butt to sift through 16 pages of feedback to find the negatives and neutrals. eBay should make it easier to pull up bad and ambivalent feedback. And the way they figure the percentage rating seems calculated to make all but the crappiest sellers look like saints: I don’t think I’ve ever seen one with a rating of less than 98.5 percent.

6. I’ve NEVER gotten a free discount or premium. I’ve been eBaying since 2001, made 650+ transactions and have a 100 percent feedback rating, and I’ve never gotten so much as a free lady’s disposable razor or other piece of useless crap as a reward. How do you get one of these mythical discounts, anyway?

7. eBay junk mail is criminally boring. It’s more fun to read the reams of unintelligible paper that the Sierra Club mass-mails to solicit donations. Please, spare the trees…

ebay eBay: The thin line between love and hate
www.ebay.com

Read comments > 2 Comments


Old news is good news for collectors

November 6, 2009 | Category: History, Interview, Newspapers

Newspapers are what my one of my favorite history professors termed “primary sources”: Like diaries, photographs, documents and other artifacts, they are original historical material as opposed to a second- or third-hand description of events plus any number of add-ons and asides, which is what most history books are.

63  320x240 newspaper1 Old news is good news for collectors A newspaper – taking into account the speed of communication at the time it was published – is about as immediate as you can get.

Add to that the fact that newspapers, like books, can touch on virtually any collecting field, and you can understand why I like to tell fellow collectors about Timothy Hughes Rare & Early Newspapers (www.rarenewspapers.com).

Imagine the possibilities …

Let’s say you collect dolls: I searched with the keyword “dolls” and got found a Frank Leslie’s Illustrated Newspaper from Jan. 3, 1891, with a full front page titled “Distribution of Dolls to the Children of Hope Chapel, a Branch of the Fourth Avenue Presbyterian Church,” showing young girls receiving their dolls with Santa Claus in the background: spine wear and a few edge tears, priced at $38.

OK, say you collect Santa Claus: Tim has a whole bunch of examples. A rarer one is a Harper’s Weekly from Jan. 3, 1863, with a full front-page Thomas Nast illustration of “Santa Claus in Camp” – Nast’s first Santa to appear in Harper’s. (For you Civil War buffs, inside there are two half-page illustrations on the same page depicting “The Attack on the Rebel Works at Fredericksburg by the Centre Grand Division of the Army of the Potomac, on December 13, 1862.”) Price: $260. (A Harper’s Weekly from Dec. 15, 1888, with a double-page centerfold image of “Santa Claus Captured” – with Saint Nick on a rooftop surrounded by kids – and a “very handsome” full front page image showing people going to church on Christmas Eve is only $38.)

Whether you’re into militaria or maritime memorabilia, famous people or infamous crimes, baseball or boxing, African-American history or Judaica – or just old newspapers from a geographical area – you’re bound to find something that will not only interest you but enhance your collection.

What’s more, I’ve known Tim for several years and purchased from him and his people on a number occasions, and I’ve always been impressed by their goods, their excellent customer service and their great shipping.

Tim’s Web site has lots of information on collecting vintage newspapers, but I asked him some basic questions for AmeriCollector.com readers:

AmeriCollector: What newspapers do you yourself collect: ones from a specific region or era or pertaining to a certain subject? Or are newspapers in general your collecting “area” and you just like the rarest, most historic items?

Tim Hughes: If I had to be pinned down to a specific era of most interest I would have to say the Revolutionary War, as I am fascinated by its events and how it shaped the future of the United States … and the incredible odds against which Washington and others persevered and ultimately defeated the most powerful military in the world at that time.
But one of the great aspects of this hobby as there are so many possibilities of what to collect – I love to hang on to anything I find unusual, incredibly displayable and particularly rare. My private collection includes a wide range of eras, events, sizes, colors, formats and items of historical significance. Virtually every event in world history over the past 350 years can be found in a newspaper. I love the variety this hobby makes available!

AC: What are the collecting areas within the hobby?

Tim: The areas of collecting within the hobby are almost endless. Whatever interest one has in history early newspapers will provide a channel for collecting. Many customers will specialize: British history; American wars; significant political events; gangsters and outlaws; significant documents in history (usually published in period newspapers); great disasters; etc., etc. But one of the great appeals is that collecting rare newspapers is often a complementary or crossover hobby to many others: Those who collect autographs will buy newspapers with significant events about those whose autographs they treasure; Civil War buffs will buy Civil War newspaper; political junkies will buy presidential elections, inaugurations and deaths; antique car collectors will buy newspapers with ads of when their pride and joy was first marketed; coin collectors will buy newspapers of when new coin designs were introduced (usually announced in period newspapers); and on and on. Rare newspapers can complement every hobby known to man.

AC: What are some of the interesting collecting areas of some of your customers?

Tim: See above for some themes of several of our collectors. Others are a bit more focused: only major battles of the Revolutionary War; major battles of the Civil War; any huge, displayable headline; significant events from the city where they happened; one issue for every year from as far back as possible; issues with engravings of eagles in the masthead … One customer only buys newspapers which show “shaking hands” in the masthead: Now, that’s focused!

AC: How extensive is the hobby of collecting rare newspapers? Are there any other dealers at all who specialize in this?

Tim: Collecting early and rare newspapers is a relatively small and somewhat unknown hobby. We’ve been in this business for 32 years and I’d guess there are no more than two or three thousand serious collectors worldwide. People are absolutely intrigued when they discover we exist and discover that newspapers over 300 years old can be had for less than $50, let alone are available at all. There are three or four others who also sell early newspapers on a smaller scale. We have six full-time and several part-time employees, with an inventory exceeding two million newspapers. I am not aware of any full-time dealers in rare newspapers outside of the United States.

AC: Do institutions contact you?

Tim: We do have institutions contact us both in terms of buying and selling. Institutions will be in touch when they decide to de-accession issues once microfilmed or digitized, or perhaps when a particular collection is deemed out of scope for their holdings. We also have institutions as customers buying issues which fit their specialty.

AC: What are the “Holy Grails” of newspaper collecting?

Tim: The “Holy Grails” would be – for most American collectors – period printings of the Declaration of Independence and the Constitution, and ideally in Philadelphia newspapers. They are exceedingly rare and would command six-figure prices should they become available. (A Philadelphia printing of the Declaration of Independence has already brought in excess of $300,000 in a New York auction.)

AC: Are newspapers ever forged? For example, aren’t there a lot of professionally done reprints in England?

Tim: There are a large number of reprint newspapers on the market today, but I truly believe none were created to deceive. Most are volume one, number one issues which were likely reprinted by their publishers on the 50th or 100th anniversaries, and others are of significant historic events reprinted as promotional giveaways, etc. There are also issues of significant 20th-century events with dramatic headlines which have been reproduced for sale in airports, gift shops and the like. The problem with all these issues is, once tucked away in the attic and discovered years later by others, they are presumed to be genuine and are often offered on eBay as such. It’s a problem, but like any collectible one needs to be aware of the field before investing serious money, and should always deal with reputable dealers who guarantee all they sell.

AC: What have newspapers been made of over the years, and how perishable are they? Are the high-acid papers necessarily hard to preserve?

Tim: Almost all newspapers of the pre-1880 era had a high cotton/rag content, so even today they remain in surprisingly pliable, well-preserved condition and need little care. To the delight of collectors, such newspapers can be handled and pages turned without concern for causing damage. Most newspapers of the post-1880 period have a much higher chemical and wood pulp content, which allowed newsprint to be made at dramatically lower costs (giving rise to the newspaper boom of the late 19th century and the abundance of “penny newspapers”) but also resulted in such issues becoming brown and fragile within years. These issues are still very collectible but I recommend keeping them in archival quality protective folders for safekeeping. There is supposedly a product which can be sprayed on such newspapers to neutralize the acid and prevent further deterioration, although I’ve never used it. But nothing can “turn back the clock” and make pulpish newspapers new again.

AC: When was the transition from rag content to high-acid paper in the U.S. and abroad?

Tim: The transition was generally around 1880. Some papers transitioned in the early 1870s, such as the New York Times, and others in the late 1880s, and yet others converted to coated-stock newsprint, which also held photographs and color ink much better than regular newsprint. Harper’s Weekly did the latter.

AC: I’ve tried to get specific papers for years: They’re really difficult to locate. Where do you get the wide array of newspapers that you sell? You can’t be getting your stock from garage sales and flea markets!

Tim: We actually get our inventory from surprisingly diverse sources. Much of what we currently have is inventory purchased over 30 years ago and which we’ll likely never see again. Some comes from institutions, much comes from private estates and others come as referrals through auctions, sales, etc. Given our Web presence, much material comes as a result of inquiries by those who see our Web site.

AC: What’s the best way to store newspapers?

Tim: My private collection has issues in individual protective folders, which we created when such a product was not available on the open market; again, the hobby was not big enough to warrant demand. Our protective folders allow newspapers to be very easily placed in and removed from the folders while allowing maximum protection for long-term storage. Easy removal is important, as collectors need that tactile experience of holding the newspaper so as to better “feel a part of its history.” Because of demand by other collectors, we decided to offer them on our Web site, now offering folders in eight sizes for newspapers. I also put these protected newspapers in the sturdy newspaper storage boxes available from University Products, one box per era, which allows a collection to be inventoried and accessed in an easy fashion.

AC: Now that the Internet is killing printed papers, do you think the latter will become increasingly collectible?

Tim: I believe the long-term demise of hard-copy newspapers will only spur the increased collectibility of early newspapers. This has been the case with almost every collectible on the market: People tend to collect that which no longer exists. I think it is human nature to be intrigued by what is no longer a part of their dally lives, yet which played such an important role in the history of world culture. It’s why we go to museums.

timothyhugeslogo Old news is good news for collectors

Images courtesy of Timothy Hughes Rare & Early Newspapers (www.rarenewspapers.com).

Read comments > 1 Comment


More on the Polish poster:
Art meets humor in eastern Europe

November 3, 2009 | Category: Art posters, Exclusive, Interview, Polish posters

(Part two of two)

Polish Posters from the Stalin Times Back in August, I wrote about an art form that truly excited me: the Polish poster. Why was I – and why do I continue to be – so enthusiastic about this means of expression?

For one thing, it’s great original graphic art, often with a wry political or social twist. For another, it’s an area of collecting that has not yet really been “discovered” by a lot of people – yet.

Therefore, it’s almost an open field for anyone who wants to buy one or many of these really great pieces of art. Some examples are already showing up in art auctions and pulling down pretty fair sums, but most are still very affordable (most are around 40 bucks or less).

The preeminent dealer in Polish poster art is Krzysztof Marcinkiewicz of PolishPoster.com (www.polishposter.com), based in Wroclaw, Poland. An accomplished photographer, Krzysztof is also something of a historian and social critic, which the following interview will show. As I indicated in my earlier story on Polish posters, I purchased two film posters – a beautiful limited edition poster for Stanley Kubrick’s “A Clockwork Orange” printed in lush colors on heavy stock, and a moody image for Akira Kurosawa’s “The Seven Samurai” printed on cheaper stock, as that was how such ephemera was made in cash-strapped post-communist Poland. The posters shipped, well packed, in a tube and arrived swiftly. It was a very pleasant buying experience.

What follows are some questions I asked Krzysztof last year. Note that these are original posters, not reprints, and that he sells to U.S. galleries and dealers. My advice: Get ’em direct from the source while they’re still available.

AmeriCollector: Are you an artist yourself? How did you get interested in poster art?

Krzysztof Marcinkiewicz: Yes and no. I am photographer but not a poster artist. It is not related to posters in any way. You can see some (of my) photographs here: www.aristos.home. I grabbed my first poster from a local theater to hang it on my wall when I was in high school in 1980s and then was getting more and more. During my studies I started really collecting them and it also became my part-time business in early ’90s; I sold Polish posters for a few years in Berlin, then Paris and London.

AC: Do you know the artists personally? Do they do this work as full-time professionals, or are they struggling artists, like so many here in the U.S.? Are any of them famous in Poland?

A Clockwork Orange Krzysztof: Yes, I know many of them, mostly young ones, but a few veterans of Polish posters too. I just talked yesterday with Andrzej Krajewski (www.polishposter.com/html/krajewski.html) about the possibility of making re-editions of some of his posters from the ’60s and ’70s He has lived in the U.S. since middle ’80s. Some of the artists commonly known in Poland are somehow “celebrities” (what an ugly word used to qualify some completely mindless creatures). An artist who is very well known in Poland is Franciszek Starowieyski and another one is Andrzej Pagowski.

AC: Is this kind of artwork popular in Poland? Does it appeal mostly to younger Poles? Is this an “underground” art form in Poland, and was it popular when Poland was still under communism?

Krzysztof: It’s strange: This kind of art, poster art, is not, in general, so much interesting for young people. Strange but true. It’s something that belongs to past times and is not very cool … or it is interesting for SOME people who don’t go with mainstream popular culture. During the communist times it was THE ONLY poster art existing here. “Polish School of Posters” is the name given to this fascinating phenomenon, which (evolved) from propaganda art (important during communist times, before any mass media, like TV, become popular; posters were a medium for information and propaganda) and a spirit of freedom and the Polish feeling of reality (extremely sarcastic sometimes). And it was effect of the work of great designers, teachers who were teaching students at art schools during 1950s.

This kind of art was much more popular during communist times than now. There were “Western-style” posters here during these times (but not) any official film distributors with their own material, so everything was done here. And because money was not a problem – there was no need to make ads for (purposes of) making bigger sales – film posters were more an artistic comment from the poster artist about the other work of art (i.e., the film).

There were also other types of posters, not just movie posters. Posters were designed for any event, like theater, exhibitions or simply anything.

After 1990 this kind of art became very limited. There are only some film posters in the Polish style done after 1990. Some theaters and opera houses still make them but no film distributors, as film producers make their own (ad) campaigns almost the same worldwide. Our dreams are planned and promoted by marketing departments now.

AC: There is a lot of subtle, dark humor in much of this work. Would you say this is part of the Polish spirit?

Blues Brothers Krzysztof: Sure, it is. Some people say that this spirit is easy to make: You need to live between Russian and Germans for few hundreds years. You add diluted spirit (I mean a liquid thing) to make it 40-percent voltage. You drink the thing daily for some time and, sure, you can make Polish posters or at least make a humorous comment about it. ;)

AC: Most of your posters are from the 1980s and later, I think. Was there less government control over artists from that time? Were more foreign films being shown in Poland from that time?

Krzysztof: I have posters from ’50s until today. There are more ’80s posters for sale on my site because there are more of them available, as they are newer. It was easier to collect them and get them in quantities. I have about 9,000 different posters in my collection, and you can see more ’80s than any others. The older ones are hard to get, and I usually have one or two copies of a title. They disappear from my site when they are sold.

AC: Which artists and which posters do you think are special?

Krzysztof: It’s too difficult a question, as it is subject of personal taste. The posters I like most are from the 1950s to 1968, and artists I like a lot are Starowieyski, Mlodozeniec, Krayewski and in fact many more.

AC: Where are most of your customers from? Do many Americans know about these posters?

Krzysztof: Still most of my customers are from the U.S. (Strange: I said “still.”) A few years ago about 80 percent of my customers were from America; right now it’s about 55 percent. The reason is that exchange rate changes over the last year forced some of my customers to spend more on gas than on something what they don’t really need. My prices become over 100 percent higher in the last four years for my American customers, only because the value of Polish currency is double its value four years ago, or the dollar value is half of what it was.

Polish posters are known in the States. There are many galleries that sell them, and most of the major poster dealers and auction houses carry them. I sell a lot of posters to dealers and galleries.

AC: Are these all original printings of these posters? How many were usually printed in an edition?

Krzysztof: Yes, these are originals. I always provide the printing date for each poster. If it says the year is 1989, that means it is printed in 1989. I don’t sell current reprints on my site, and in fact not many of these exist. My posters are originals. The film posters were printed for use in the theaters and on walls around the country and they have been printing them in the 4,000- to 10,000-copy range, depending on the title and time. But, assuming that in the middle 1980s there were 1,800 cinemas in Poland, you’re looking at very little material able to survive being mounted on walls, and most of them ended up in “paper heaven”: burned in the (furnaces) that were warming up the cinemas or simply ending up in trashcans.

There are much smaller print runs for theater or event posters: They didn’t need so many copies, as they were usually used in one city for an event. Today, the usual print run is low, up to 400 copies – like, for example, the “A Clockwork Orange” poster you bought: There were only 200 copies of these. The film was never shown in theaters in Poland, and this is the only Polish poster for the title, made as tribute to the film. There are no longer any more official posters like this in Poland, so some people who want the posters to continue to exist in the “Polish style” just make prints like this.

All poster images courtesy of www.PolishPoster.com
.

Read comments > 1 Comment


Categories

Archives

Palmer Wirfs - America's Largest Antique & Collectible Shows

Timothy Hughes Rare & Early Newspapers

Foss Waterway Seaport

Emerald City Comicon

Visiti website

Dietrich's Vault

Prize Fighting Books

Curtright and Son Tribal Art

Visit the Fred Oldfield Western Heritage & Art Center

Visit Scripophily.com

Visit Railroad Memories website

Freighthouse Square | Tacoma WA

Facebook activity

Sign up for our mailing list.

AbeBooks - Signed Books

Exclusive interviews

Real Deal‘: A new show for real collectors … especially ones who want to make a fast buck

Troy_Howerton

~An AmeriCollector.com Exclusive~ Yard sale speculators, eBay entrepreneurs, garage sale gamblers – you read it here first: There’s a new show just for you! It’s called “Real Deal,” and it premieres on …

Collector spotlight: Robert L. Shapiro

Robert L. Shapiro photo courtesy of Robert Shapiro

~ An AmeriCollector.com Exclusive ~ . In a recent post (“The real deal: AmeriCollector is trademarked,” Aug. 19) I joked about getting our trademark with the help of “our high-profile …

King of pawn: Rick Harrison of ‘Pawn Stars’ talks about the shop and collecting

Pawn-Stars_Rick-Harrison3

~ An AmeriCollector.com Exclusive ~ . It’s no secret that I’m a huge fan of “Pawn Stars” on the History Channel (or HISTORY, as they prefer to be called). It …

Johnny be there! Guitars are in the mix at Christie’s musical instruments auction April 29

christies_mandolin

~ An AmeriCollector.com Exclusive ~ . For those looking to invest in the vintage guitar market, now may be a great time to do so: The market peaked at the …

Restoration angels: The History Channel’s ‘American Restoration’ premieres April 15

American_Restoration_crew4

~ An AmeriCollector.com Exclusive ~ . April 15: a date that always reminds me of death, taxes, and collecting … and whether money owed to the IRS will put a …

Chicago and beyond: Art Shay photo exhibition features 60 years of unforgettable moments

shay1

~ An AmeriCollector.com Exclusive ~ . A buff and smiling yet self-conscious-looking Marlon Brando, age 26, relaxes on his Libertyville, Ill., farm in the company of his spaniel, that steadiest …

Ben Isitt: The evil genius behind the scenes at the Black Lake Haunted Asylum

Ben Isitt

“Those lab specimens … those body parts … Are they REAL?” You may well be asking yourself that if you work up the courage to show up during “visiting hours” …

Calalogs received

‘Collector’s items’

15 Aug 2011

AUCTIONS Railroad memorabilia (closes Fri., Aug. 26, at 5 p.m. MDT). Auction Catalog 80 features more than 500 individual lots. This is the auction that serious railroad buffs watch for …

Catalogs received

25 Jul 2011

AUCTIONS American History (closes Aug. 1). Cowan’s Auctions, Cowanauctions.com Autographs (closes Aug. 10). RRAuction, RRauction.com . BOOKS, ETC. Fifty Rare Works in Science, Medicine and Thought (Catalog 40): Featuring classic …

American Pickers | Shop History Channel

 

American Pickers | Shop History Channel

150th Anniversary of the American Civil War