Murder, he wrote

When I was in high school in the early 1970s, I recall my English teacher talking about how she was reading William Peter Blatty’s novel “The Exorcist” on a long car trip home: While her husband drove, she sat in the front passenger’s seat with a flashlight, so completely caught up in the book that she couldn’t put it down – despite carsickness, the bad lighting and general fatigue – until she’d finished.

“The Exorcist” scared the bejesus out of me as well, but forget the demonic possession – forget, even, the fashionable Northwest vampires: “Victim Six” (Pinnacle), a novel about serial murder by Gregg Olsen, is one book that will remind you just how much fun a great read really is. A New York Times best-selling true-crime writer based in Olalla, Wash., Olsen knows enough about the evil that men (and women, too, dearies) do in real life not to have to resort to the supernatural to know exactly how to creep you out. After all, he IS originally from Seattle …

Full disclosure: I have the honor of knowing Olsen and read “Victim Six” in manuscript; in fact, I did the initial copyedit on his request (for which I got paid seven big ones), since I copyedit manuscripts for New York trade book publishers for a living. In fact, I read the manuscript TWICE and I can tell you: There are short books that are almost torture to work on, and longer books that pull you right into the story. “Victim Six” was the latter: a compelling mystery with solid, three-dimensional characters, both likable and hateful; dialog that rings true; and a credible storyline … In other words, EXACTLY the kind of novel that made me want to get a job in book publishing in the first place.

As Roald Dahl once said of good children’s books and good ghost stories, good murder novels are “damnably difficult to write.” I know because I’m paid to work on quite a few of them, and even some of the really good ones are good only up until the point where the plot falls apart – the psychopathic sex murderer turns out to be a federal judge, or the ambassador to Liechtenstein, or a nuclear scientist working on the government’s biggest secret weapon, so the Pentagon is covering up his crimes; or else he (or increasingly she: THERE’S politically correctness running amuck!) has some incredibly goofy motive for killing – leaving the reader feeling thoroughly ripped off.

Well, with “Victim Six,” you’ll feel anything but. I won’t go beyond that, except to say that if you live in the Puget Sound area or are from this neck of the woods, “Victim Six” will impress you as a very “Northwest” thriller; if you have no connection with Washington State and don’t yet know Olsen’s work, you’ll soon discover why he is so popular. He knows how to tell a real good story.

WARNING: AmeriCollector.com does not encourage reading “Victim Six” on a Kindle wireless reading device or in book form while driving or as a passenger if you are given to sudden frightened outbursts that can startle or distract the driver. Do not read “Victim Six” aloud to small children, raging-hormone-charged teens or your wimpy significant other as a bedtime story. Read responsibly.

“Victim Six” shipped to bookstores on Jan. 26 and goes on sale in February. Learn more about Gregg Olsen by visiting his Web site: www.GreggOlsen.com. Meet the author himself at one of his upcoming bookstore appearances:

• Sat., Jan. 30, at 3 p.m.: Barnes & Noble, Silverdale, Wash.
• Tues., Feb. 2, at 6 p.m.: Bethel Avenue Books, Port Orchard, Wash.
• Sat., Feb. 6, at noon: Seattle Mystery Bookshop, Seattle, Wash.
• Sat., Feb. 6, at 3:30 p.m.: Borders, Gig Harbor, Wash.
• Thurs., Feb. 11, at 10 a.m.: Mystery Book Club Read, Liberty Bay Books, Poulsbo, Wash.
• Thurs., Feb. 11, “drive-by” signing: Powell’s, Beaverton, Ore.
• Thurs., Feb. 11, at 7 p.m.: Murder by the Book, Portland, Ore.
• Fri., Feb. 12, at 6:30 p.m.: Tea Party Bookshop, Salem, Ore.
• Sat., Feb. 13, at noon: North by Northwest, Lincoln City, Ore.

Purchase Victim Six, by Gregg Olsen! Amazon.com

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What the experts collect: Spotlight on Elyse Luray of PBS History Detectives

Charismatic, inquisitive, intelligent, enthusiastic – did I neglect to say telegenic? – Elyse Luray, like her three fellow investigators on the PBS series “History Detectives”, brings to the field of history all the energy, relevance and wonder that somehow got bled out of too many junior high and high school classrooms.

You can tell I’m big on “History Detectives,” as a history buff and as a collector – although the folks who submit mysteries aren’t necessarily either: Someone in Oregon opens a trunk and finds a Revolutionary War–era poem apparently written by an American prisoner of war in Mother England; a guy in Seattle receives from his father a baseball signed and dated July 12, 1944 by former Major League pitcher Dizzy Dean, along his dad’s account of playing in an uncharacteristically integrated wartime Air Force ball game with Dean and Negro Leagues legend Satchel Paige … These are human-interest stories more than anything, but they demonstrate the kind of investigatory skills – the adventure of real research – that is part and parcel of world-class collecting.

What’s more, I note that “History Detectives” investigations often have a genealogical element. While many people think of genealogists as spidery and schoolmarmish, good ones know their beans about history and are as tenacious about pursuing a lead as Arnold Schwarzenegger was about tracking down Linda Hamilton in “The Terminator.” That’s an inspiration for collectors seeking as much knowledge about their treasures as they possibly can.

But I digress: Back to Elyse …

Originally from Baltimore, Elyse Luray graduated with a degree in art history from Newcomb College Institute at Tulane University in New Orleans. Her creds in the auction and collectibles world – what you won’t know just from seeing her on PBS – is extensive. For example, she was animation art specialist, managed the Popular Culture department and set up the Arms & Armor and American Indian Art departments at Christie’s, where she worked as a licensed auctioneer and appraiser for 11 years (in 2000 she auctioned one of the pairs of ruby slippers that Judy Garland wore in “The Wizard of Oz” for $666,000). She has captained the block for a host of other auction houses (Steiner Sports, Grey Flannel Auctions, Bertoia Auctions, etc.) and charitable causes as well. Elyse has appeared and appraised on the Home & Garden Television show “If Walls Could Talk,” HGTV’s “Endless Yard Sale,” “The Early Show” on CBS and “Antiques Roadshow” on PBS; and she has evaluated the personal collection of cartoonist/animator/producer/all-around creative genius Chuck Jones and the archives and collections of such little-known startups as Warner Bros., DreamWorks, Lucasfilm and Hanna-Barbera Productions. The list goes on …

So imagine MY elation when Elyse agreed to talk about her personal collections with AmeriCollector.com! Here’s our interview from earlier in this month.

AmeriCollector: You must collect a lot of things. What’s your main collecting interest?

Elyse: My main collection is actually Marx Brothers posters: one-sheets and inserts, not reproductions. My children’s last name is Marx and I have two boys, so they’re “the Marx brothers.” (Laughs.) All over my house are Marx Brothers posters. I got my first one maybe 25 years ago, before my children where born; but then I actually had boys, whose last name is Marx, and I started collecting more and more and more. The prices got really high, but then they went down again. So that’s probably my biggest collection.

It’s also hard, because you need to have the space for posters, and I don’t really have that much space anymore, so that limits my buying.

I went through a big stage of collecting bulldogs, since I had one – anything with a bulldog – and I probably ended up with a couple of hundred pieces of bulldog paraphernalia, things with an image of a bulldog and mainly old advertising pieces.

AC: So you don’t necessarily collect antiques.

Elyse: Well, you know, it’s funny you say that. I mean, I don’t consider my bulldog collection or Marx Brothers posters antiques, but nothing is later then 1950; in fact, some pieces are from the turn of the 20th century. Each is one-of-a-kind, and I stay away from limited editions. So I guess they are antiques. I also collect sterling silver serving pieces and trays, both American and European, and I don’t buy anything new. I don’t buy contemporary.

I don’t feel I collect that much because, with my show and with my work, I’m constantly around collections. It’s really weird for me, but when I work on an appraisal or a story, I feel like I’m sharing the collection with the owner for a while. Because of what I do and the nature of my business, I feel like I’m around collections all the time … Actually, I AM around collections all the time! (Laughs.)

AC: I know you were at Christie’s for a long time, and I think you were working in the areas of pop culture and art, so I assumed you collected art.

Elyse: Well, I have a lot of Western art in my house, which came from my parents, and I did help help set up the American Indian Art department at Christie’s. One area of art that I actually bought and collected recently with my mother: the “Les Maîtres de l’Affiche” series; they’re prints and posters from the turn of the century. Lautrec, Mucha and Cheret were some of the more known illustrators. And it’s a series of prints produced in the early 1900s. The whole series is about …I don’t know the exact number off the top of my head: Let’s say 350, 400. My mom has them, each framed on one entire wall in her dining room and I have a couple scattered through out my house. And that’s definitely artwork, but it’s more of what we call a “multiple” market, because prints are multiples, meaning they are produced in a series and there is more then one. Prints, posters, photography – they fall into the multiple category.

AC: How do you build your collections?

Elyse: If you want me to give advice on how to collect, these are my key points:

BUY WHAT YOU LOVE – hands down, buy what you love. If you find a passion, follow it. Anything that you want to collect is OK. If you want to collect Hawaiian shirts, ashtrays, bells – anything that what you find interesting – then that’s what you should collect. There’s nothing you can’t collect, because that’s the beauty of it. Follow your passion, follow your dreams …

When you do find that one thing that gives you some type of emotional satisfaction that you want to start collecting it, my biggest piece of advice, besides buy what you like, is BUY GOOD: Buy things that are in good condition, buy things that are not going to fall apart or have a lot of damage or have a lot of restoration on them, because I find that those are the things that sustain themselves the longest. And I hate to tell to buy things for value, but if you do ever need to sell your collection or want to sell your collection, you want to have things in it that are actually the best of the best. If you can’t afford to do that in the beginning, then “buy up”: Buy what you can afford and then trade it when you can get to the next better piece.

AC: Is there any particular “holy grail” that you’re looking for, in terms of posters or even bulldogs?

Elyse: No, I haven’t really found my “holy grail” yet.

I wish I DID have a “holy grail”: I always want more. I’d like to collect other things, actually, at this point.

I’m not sure that anyone should have a “holy grail,” because after you get it, then you’re kind of, like, what do I do now? You know what I mean? (Laughs.) I would hate for someone to stop collecting.

AC: What would you collect?

Elyse: Too many things to really answer. I love antique advertising. I love old jars: I kind of started to collect them; they’re not expensive, they look really good and they’re very decorative in your house.

I don’t have the room for it, but if I had room, I’d collect a million other things. I’d love to collect old photography – black-and-white – and when I say “old,” I mean early-20th-century photography, not contemporary.

The problem – and you would probably be the same way, because you’re a collector – is that you don’t think of some things, and then you walk into somebody’s house and you see what they collect, and you think: “That’s the greatest idea! That’s brilliant! I love it!”

I was just in Sun Valley, Idaho, on vacation over Christmas, and I walked into somebody’s house, and they collect nutcrackers. They were exceptional cast-iron nutcrackers, and they must have had 200 of them, and you know, the characters that were used and the mechanics of the nutcrackers – it was just a brilliant thing to collect! I would never have thought of that before.

The beauty is that there is always something to collect!

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Images courtesy of Elyse Luray

Visit the History Detectives on PBS online at:  www.pbs.org/opb/historydetectives

Visit Elyse’s Web site: www.ElyseLuray.com.

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Unhappy anniversary: Tacoma expelled Chinese 125 years ago

At 9:30 a.m. on Nov. 3, 1885, a mob of several hundred men marched through Tacoma’s Chinese community, rousting its last 200 residents and herding them nine miles south to the Lake View train station, in what is now Lakewood, as policemen and sheriff’s deputies looked on. After spending a cold, rainy night, many in partly open outbuildings, the Chinese were forced onto trains bound for Portland.

Chinese workers were instrumental in the construction of the nation’s transcontinental railroads in the 1860s and ’70s. By the early 1880s, however, the major railroad lines were nearing completion, and Chinese laborers were moving to the cities of the West to find other work, according to Ed Echtle, a Pacific Northwest historian specializing in Asian immigration. As other immigrant groups arrived from Europe, the competition for labor intensified. Unions began to organize unskilled workers and tapped into their aversion to the Chinese.

Anti-Chinese discrimination became federal policy in 1882 when Congress passed the Chinese Exclusion Act, the first U.S. immigration law designed to bar a specific nationality.

The Chinese became kind of a scapegoat for low wages because they were charged with working for less, undercutting white labor,” Echtle said. “And then in the 1880s there was an economic downturn, which sort of exacerbated things, so that the Exclusion Act was a political response to the pressure from constituents to ban unskilled Chinese labor from coming in to compete with white labor.

Yet, it was not all about labor and wages: Newspapers at the time alluded to foreign heathenism, to rats and squalor in the Chinese sections of towns, to foul smells that nauseated patrons at neighboring white businesses, to opium use and prostitution. A spark was being struck, and many Tacomans – from underemployed railroad and mill workers to smug storekeepers and social-climbing politicos – were eager to grab torches.

On Sept. 28, at an anti-Chinese rally in Seattle, it was resolved that the Chinese had to get out of Washington Territory by Nov. 1, and white-owned businesses were called upon to dismiss their Chinese employees. In Tacoma, where only a few people (Washington pioneer Ezra Meeker was one) spoke out against the agitators or defied their demands to fire their Chinese workers, about 450 Chinese boarded trains or ships or left by other means; the remaining 200 were marched out to Lake View on Nov 4. Historian Murray Morgan in his book “Puget’s Sound” described the procession: “Teamsters cracked their whips, the wagons lurched forward. The elderly and the sick Chinese were permitted to ride. The rest trudged after the wagons, wrapped in blankets against the cold rain, duffle slung on poles over their shoulders or in laundry bags on their backs. Their sandals sucked mud; some took them off and went barefoot. Many were crying. Armed whites on horseback rode beside the refugees, herding them like cattle, and a guard of club-carrying whites brought up the rear, urging on the stragglers.”

They spent a miserable night, some in the station waiting room, where there was a single stove, others in freight sheds. According to Jules Alexander Karlin in a 1954 article in Pacific Historical Review the Chinese would maintain that the ordeal drove one woman, a merchant’s wife, insane, and that two of their number later died from their prolonged exposure to the weather.

Two days later, arsonists set fire to the vacated Chinese shops and dwellings of Little Canton. Tacoma’s Chinese community was effectively erased.

* * * * *

Tacoma was by no means the only American city to evict its Chinese residents; in fact, as University of Delaware professor Jean Pfaelzer reveals in her book “Driven Out: The Forgotten War Against Chinese Americans” (hardcover published by Random House in 2007; paperback published by University of California Press in 2008), there were nearly 200 expulsions of Chinese populations from American communities in the American West and Northwest from the early 1850s to 1906.

White Protestant nativists – as well as immigrants whom the nativists vilified – were vocal in their objections to Chinese living in their midst, even as the latter were helping to build the railroads, working as launderers and domestics and laboring in mines, in canneries, in logging camps and on ranches. Notes Pfaelzer, “The white man’s racial rhetoric was, in fact, about himself: the Chinese worked too many hours; the Chinese worker was drugged on opium; the Chinese worker was slovenly; the Chinese debased the town and created the need for civic jobs; the Chinese ate rats; the Chinese were renters; the Chinese lived in overcrowded housing; the Chinese demanded the right to own property; the Chinese were expected to send scarce money back to their homeland. The Chinese were also derided as “sojourners,” people with unbreakable ties with their empire across the ocean and incapable of assimilating and becoming good, loyal American citizens – even if white Americans would have them. The assaults on life, liberty and property that resulted from this mind-set ranged from the spontaneous to the systematic: from armed gangs of resentful white prospectors evicting their Chinese counterparts from the California gold fields, to average citizens joining in boycotts to deprive their resident “celestials” of their livelihoods.

For example, in Eureka, Calif., in early 1885, an unfortunate incident in which a city councilman was shot to death during a dispute between two Chinese turned into an excuse for vigilantes to round up more than 300 Chinese residents, imprison them in warehouses, then force them onto ships bound for San Francisco. The eviction conducted in Washington Territory in November of that year would follow Eureka’s model.

By contrast, in late 1885 and early 1886, the white citizens of Truckee, Calif., sought a more peaceful means of expulsion by boycotting Chinese businesses and those that employed Chinese workers. Never mind the fact that Truckee’s Chinese were “renters, shoppers, and low-paid laborers, and white agents made money from their legal, real estate, and commercial transactions,” and that “seemingly, this interracial relationship benefited everyone,” writes Pfaelzer: The so-called Truckee Method, while slower than the Eureka Method, achieved the same goal.

Pfaelzer’s scholarship is exemplary, not just because it reveals that expulsions of Chinese were common exercises in ethnic cleansing – rather than just a few isolated incidents – in small towns and large over a period of more than 50 years, but because most of this information was there all along for the sifting, in newspaper accounts and public documents. No newly uncovered treasure trove of documents, no long-buried diaries suddenly brought to light: Rather, Pfaelzer took what others missed and added an essential and long-overdue chapter to our nation’s past.

But Pfaelzer gives us much more than a litany of shameful events: She shows that beleaguered Chinese were willing to stand up for themselves by using the legal system to sue for reparations, by testifying to the injustices that they were subjected to, by striking for fair wages and refusing to supply goods to hostile businesses – even purchasing arms to defend their homes and their lives. Certainly, the Chinese understood the rights and duties that American citizenship entailed; what they were denied was the paperwork that would give them that legal status.

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Purchase Driven Out: The Forgotten War against Chinese Americans

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Auction alert: Alexander Autographs Historical Autograph & Manuscript Auction closes Wed. and Thurs., Jan. 20 and 21!

Thanks to you, AmeriCollector.com now has a loyal readership, and it’s growing daily: We had over 18,000 visitors last week, which is hugely gratifying.

At a juncture like this, I can’t help but think it’s the ideal time to reaffirm our mission: to provide a fun, interesting, informative venue of interest to collectors in a wide range of fields. We will endeavor to do so by offering features, news and a calendar of events that will hopefully become a valuable resource in your collecting adventures.

Whereas most collector Web sites are narrow in their subject matter – focusing on toys, say, or photographs, or music boxes – we at AmeriCollector want to be more diverse: In fact, we welcome reader submissions on any collectibles subject in the form of leads, advice, comments and questions, as well as reviews of shows, exhibits and other events you have recently attended. (As we’ve indicated before, we just request that you be honest, sincere and nice; check your facts; and try to include supporting and even contrary opinions from others. Needless to say, avoid using offensive language or innuendo: We’ll only have to cut it.)

Also, unlike dealer sites, we are not selling anything except space: While we welcome collectibles-related advertising, we will not run glowing accounts of people, businesses, auctions or events that we don’t feel comfortable with, don’t believe in or wouldn’t recommend to our own friends or family members. Of course, it’s not always possible to know in advance what an upcoming antique fair or museum exhibit is going to be like: In those cases we’ll attempt to give you a taste of what to expect through interviews with the exhibitors, organizers and others involved, then follow them up whenever possible. (Again, we also look forward to hearing about them from YOU.)

That said, let me urge my fellow autograph and memorabilia collectors to check out the Alexander Autographs 2010 Winter Historical Autograph & Manuscript Auction (viewable online at www.alexautographs.com), which will be held in two parts on Wed, Jan. 20, and Thurs., Jan. 21.

I don’t know how many people view the various collectibles auctions held by the many auction houses around the country, but I suspect that Alexander Autographs, located in Stamford, Conn., falls beneath the radar. In other words, I believe they have A LOT of interesting stuff, yet I don’t think many collectors know about them, which means less competition and more opportunities to win great items at great prices.

In fact, I suspect Alexander Autographs auctions are a magnet for other dealers, who can pick up some real bargains and then resell them to their regular clients.

(I myself have participated in two Alexander Autographs auctions, winning one lot each time, and bought about three items from their online store. In each case, even with the buyer’s premiums for the winning auction lots, I felt I got well below the going retail prices for those items.)

Some things you need to know:

• As always, you must be registered to bid, so if you aren’t already – or aren’t sure if you are – get right on it! You’re supposed to register 24 hours before the auction begins.

• Alexander Autographs has absentee bidding (where you bid in advance and hope for the best), live in-person bidding, live telephone bidding and live online bidding, if you can be at your computer when your lot numbers come up. Live bidding goes fast. My advice: Watch the bids, and if you want something bad enough, don’t balk – KEEP CLICKING: Electronics are not as instantaneous as you may think! Two auctions ago, I lost a cache of letters penned by wild-animal collector Frank “Bring ’Em Back Alive” Buck – written while on expedition in China, no less – because I hesitated five seconds.

• The minimum bid for an item is half the low estimate given in the lot description or $20, whichever is greater.

• Alexander Autographs’ live bidding is handled by an outside company (not eBay), which takes its cut: 3 percent of the hammer price. The buyer’s premium for absentee, in-person and live phone bidding is 19.5 percent; the buyer’s premium for live online bidding is 22.5 percent.

• It’s a two-part auction. Part I (lots 1 to 538) begins Wed. Jan. 20, at 10 a.m. EST; Part II (lots 539 to 1421) begins Thurs., Jan. 21, at 2 p.m. EST.

There are LOADS of treasures in this auction, at ALL PRICE POINTS. I wish I could afford to bid on any number of them, but, well, my family likes to eat sometimes. Here is a brief selection, with some few highlights …

• A great typed letter dated 1914 and signed by legendary Western lawman William “Bat” Masterson (1853–1921), written to Robert Marr Wright (1840–1915), Dodge City, Kansas. Like his compadre Masterson, Wright was a former frontiersman, Indian fighter and Dodge City pioneer; he also served a term as mayor of the town and authored the 1913 book “Dodge City: The Cowboy Capital.” The letter reads in part: “Mr. Taub was in to see me the other day and told me he has received six books from you all in good shape. Mr. Taub reads your book with much enthusiasm. He is the sort of a young man who likes that western stuff.” As any serious boxing collector knows, “Mr. Taub” was sportswriter/radio fight announcer Sam Taub (1886–1979), Masterson’s assistant at the New York Morning Telegraph. Est. $12,000 to $15,000 (no bids yet).

• A .32 caliber bullet seized from the Barrow Gang (a.k.a. Bonnie and Clyde and Associates) in a 1933 raid in Dallas County, Texas. The description doesn’t indicate the exact circumstances under which the ammo was taken, i.e., if it was left behind or dropped or taken off one of the gang members. Bonnie Parker and Clyde Barrow, of course, were killed by police machine-gun fire in Louisiana in 1934. The slug was lost for 30 years before being found in the attic of a Dallas County deputy whose father – who had been a Dallas County deputy as well – helped Sheriff R. A. Schmid chase the gang. According to the description, “the round is ‘live’ and should be handled accordingly.” Est. $400 to $600 (now at $200).

• A signed portrait photo of Charlie Chaplin (1889–1977), 5 x 7, black-and-white. A pencil notation from the original owner on the back reads: “I received this picture on August 23, 1919.” Small fold to top left corner, a little smearing to signature. Est. $400 to $600 (now at $400).

• Various African-American historical items. More on this subject as we move into Black History Month, but there are a number of items of African-American interest in this sale, including slave bills of sale, est. $150 to $300.

• Typed, signed document in which Michael Jackson (1958–2009) transferred the rights to “We Are the World” to United Support of Artists for Africa in 1985. The actual recording featured a veritable pantheon of pop/rock superstars: Jackson, Lionel Ritchie, Ray Charles, Stevie Wonder, Diana Ross, Bob Dylan, Paul Simon, Bruce Springsteen, Smokey Robinson, Billy Joel, Tina Turner, Dionne Warwick, Bette Midler, Willie Nelson and loads of other, lesser deities. It raised over $63 million in aid for famine-stricken Africa, was #1 on the Billboard Hot 100 for four weeks and won three Grammys (Song of the Year, Record of the Year and Best Pop Performance by a Duo or Group), an American Music Award and a People’s Choice Award. The biggest-selling single of all time, it has sold 20 million copies as of last year. Est. $15,000 to $20,000.

• An original doodle of a dog with a tin can tied to its tail by Norman Rockwell (1894–1978). It’s on the first free endpaper of a first edition of “Norman Rockwell: Illustrator” by Arthur L. Guptill (1946), above an inscription that reads: “My very best wishes to The Lenox Library, Sincerely, Norman Rockwell.” The description indicates that the artist’s wife, Molly, taught at the library, located only five miles from The Norman Rockwell Museum in Stockbridge. Est. $2,000 to $3,000 (no bids yet).

• Two documents (separate lots) signed by the Sun King, Louis XIV (1638–1715). Yeah, THAT Louis, of the trendsetting duds and the wild parties. These are untranslated: Maybe Louis was just cancelling his newspaper subscriptions, but try out your high school French on them and see. Both are small folio (about legal-size). One, signed in Versailles in 1687, has a damp stain on Louis’ signature, but it still looks good and is estimated to sell for $400 to $600 and is at $260 at this writing; the other, signed in St. Germain-en-Laye in 1670, has just a little bit of foxing on the edges and is estimated to go for $500 to $600 and is now at $320.

• An official 1930 New York Yankees Major League baseball autographed on the sweet spot by Babe Ruth (1895–1948) and by Lou Gehrig (1903–1941) on the opposite side. In addition to the Bambino and the Iron Horse, the ball’s signed by Lefty Gomez, Bill Dickey, Tony Lazzeri and twenty other players. The Babe’s signature is rated 4/10, and the ball comes with a certificate of authenticity from PSA/DNA, authenticator to major auction houses. Est. $4,000 to $5,000 (now at $3,750). This is one of three Ruth-signed balls in this auction.

All images courtesy of Alexander Autographs, www.AlexAutographs.com

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They might be GIANTS
Bigfoot exhibit at Washington State History Museum is bound to leave an impression

What is it that makes the Pacific Northwest a little wild, a little woolly – and sometimes downright creepy?

The first time I ever visited Seattle, in 1992, I went into a T-shirt shop to buy souvenirs and struck up a conversation with the salesgirl and another customer, both Puget Sound natives. Being from out of the area, I asked what Washington State was like, and for some reason the conversation drifted to serial killers: The salesgirl, I think, remarked that (at that time) Washington had an estimated higher percentage of them than any of the other 49 states. When I asked why, the other customer cited factors that seemed to conducive to multiple murderers: the rain, the many heavily wooded, unpopulated areas … and the belief that it’s more “socially acceptable” to be a loner in the Northwest than elsewhere.

But I didn’t mean to cast a pall on your day: This blog is not about crime. However, I can’t help but think the above observation helps explain another scary (sort of) Northwest phenomenon: that large, hairy walking cliché we know as Bigfoot, Sasquatch (from a Salishan term for “wild man”) and Skookum (another Salishan term, translated as “mountain giant” or “mountain devil” – although in the Chinook language it can be an adjective with such nice connotations as “big,” “strong,” “dependable” and “hardworking,” like Mr. Clean or Fess Parker, star of the TV series “Davy Crockett”).

It’s easy for us world-weary twenty-first-century Internet travelers to call the Sasquatch stories a lot of bunkum (NOT a Salishan word), although the Indian legends may go back millennia, and reported sightings by white people – starting with fur traders in British Columbia in the 1880s – are certainly reliable if it could ever be proven that the eyewitnesses weren’t drunk and/or lonesome and in need of companionship, if you know what I mean.

Or maybe that’s the key: I note that two of the more prominent Sasquatch Web sites – the Bigfoot Field Researchers Organization, or BFRO (www.bfro.net), and the Seattle-based Sasquatch Information Society (www.bigfootinfo.org) – both report a preponderance of the nation’s “sightings” having been made in Washington State (most of which involve just footprints, says the Sasquatch Information Society, with the notation “Record has not been validated or is being studied”), and a plurality of those occurring (in descending order) in Skamania, Pierce, King, Snohomish and Lewis counties. In fact, only last August, according to the BFRO, a King County man reported seeing a “large, hair-covered figure while riding on train near the Cascade Tunnel.”

August, of course, was the month that the Washington State Liquor Control Board hiked the price of booze 6.5 percent, so clearly someone got a few shots in before last call. Expect a hell of a lot more sightings once the state legalizes pot.

And yet, goofiness aside, look what happened with Roswell and so many other cockamamie UFO sightings: Those people all insisted they KNEW what they had witnessed, with the conspiracy theorists among them asserting that the government was covering up close encounters of the third kind (not just Jack Kennedy’s and Bill Clinton’s). Meanwhile, the more cynical among us – including myself, standing uncomfortably alongside conspiracy theorists on the other end of the spectrum – were convinced that there was nothing extraterrestrial about flying saucers. We WERE still fighting the Cold War, weren’t we? No doubt, the Pentagon was up to something – and covering it up, for obvious reasons…

We were ALL right, to a greater or lesser degree: Most of the documented sightings of flying saucers WERE real – they just weren’t alien craft – and the military DID have something under wraps all those years. Turns out, the Nazis had been experimenting with the aeronautical possibilities of flying discs and flying wings for some time. In the spring of 1945, as the Third Reich crashed and burned, U.S. forces captured as many eager German weapons scientists and as much of their research as possible before the Soviets could; then OUR scientists picked up the ball – or the Frisbee, in this case – and ran with it for a few decades. (Behold: the Stealth bomber.)

Getting back to Bigfoot: Did the hunters and trappers and trekkers and picnickers really stumble across the spirits of Native American lore in those dripping Northwest forests – or were they the spirits in a bottle of backwoods hooch, the bugbears of white people with overactive imaginations and too much free time? Were they sightings of true biological missing links – a human subspecies that refused to go extinct – or of some ageing hippies who missed the exit to Olympia and decided to homestead in the woods? And is the correct plural “Bigfeet”?

We may never know for sure, but anyone with a passing interest in huge unidentified bipeds will surely find the new exhibit “Giants in the Mountains: The Search for Sasquatch” at the Washington State History Museum in Tacoma (Jan. 23 to June 27) intriguing, entertaining and educational. Taking a broad look at “the Sasquatch phenomenon” (per the museum press release), “Giants in the Mountains” draws on all the various aspects of the subject – the legends, the sightings, the hoaxes and the legitimate scientific research – and includes visuals ranging from Native American artifacts to contemporary artistic depictions to physical evidence collected by the late anthropologist Dr. Grover Krantz and Idaho State University professor/Discovery Channel expert Dr. Jeffrey Meldrum.

I asked “Giants of the Mountains” curator Gwen Perkins, specialist for school and online programs at the Washington State History Museum, about the exhibit:

AmeriCollector: There was a Sasquatch exhibit at the State Capital Museum in Olympia a couple of years ago. Is this different?

Gwen Perkins: “Giants in the Mountains” is the same exhibit that was at the State Capital Museum. However, we have added new artifacts for the show, due to the increased space in Tacoma. Among some of the new things visitors will see will be more casts from Dr. Jeffrey Meldrum, a “tree twist-off” and native masks from the collections of the Washington State Historical Society and the Burke Museum. We were also fortunate to be able to include illustrations by artist Rick Spears, illustrator for “Tales of the Cryptids.”

AC: Do you have a personal historical or anthropological interest in the Sasquatch legends and sightings? Did you volunteer to curate this exhibit?

Gwen: The exhibit itself was actually organized by the Washington State Historical Society, with myself as lead curator.

The idea of doing a Sasquatch exhibit was birthed after I had done a significant amount of research for one of our school programs here, in which a professional actor portrayed Dr. Grover Krantz and allowed students to ask him questions. Not long after that, the State Capital Museum in Olympia was trying to decide on a major exhibit for their museum. Sasquatch was suggested, due to the popularity of that presentation and staff members’ interest in the subject.

The exhibit premiered in Olympia in 2007. It did very well at that museum and so we wanted to bring it to Tacoma in order to give more people a chance to see it, examine what’s on display and draw their own conclusions. We’re all excited to see it back, particularly those of us who were involved in the original exhibit curation and programming. The Sasquatch community is a great group of people: One of the things I’ve enjoyed most about this subject is the opportunity to connect with visitors from across the nation.

The exhibit also coincides with another on display called “Icons of Washington History.” After all, what better icon of the Pacific Northwest can you think of than Sasquatch? (That’s my opinion, of course.) But one of the other points of the exhibit that I wanted visitors to understand is how far-reaching stories of Sasquatch really are, not only in terms of place but time as well. So while it’s seen as a regional story to many Washingtonians, the exhibit itself also explains that there have been stories and reported sightings of this being that go back hundreds of years.

AC: Does the exhibit lean toward belief or skepticism, or does it intend to present both sides of the subject and let the visitor decide?

Gwen: The exhibit does not take one point of view or another. We present the story of this being and leave it up to the visitor to draw their own conclusions.

AC: Have there been any recent sightings, and what individuals or agencies keep tabs on these?

Gwen: Sightings of Sasquatch are reported constantly and across the nation. One of the organizations most diligent in tracking these sightings is the Bigfoot Field Researchers Organization. They have a web site where they track sightings across the nation: As I type this, Washington has had 479 reported incidences since September of 2007. BFRO is just one of a number of groups that shares information. There are several websites and blogs devoted to Sasquatch: Cryptomundo (www.Cryptomundo.com), Bigfoot Times (www.BigfootTimes.net), Oregon Bigfoot (www.OregonBigfoot.com) and North American Bigfoot (www.NorthAmericanBigfoot.blogspot.com), just to name a couple. These groups aren’t all in the Northwest, either: One of the most active is located in Texas – the Texas Bigfoot Research Conservatory (www.TexasBigfoot.org).

AC: What do Native Americans of the Western Washington tribes think of the interest in Sasquatch? Are there any investigators/proponents among them?

Gwen: I think that you will find there is just as much diversity of opinion among the tribes as in any community as to whether or not Sasquatch exists but also as to which form this being takes. I have met some who are out there actively investigating Sasquatch but many more who perceive this being as part of the environment and the natural cycle of life. I have also met Native Americans who were not believers as well.

Decide for yourself. The Washington State History Museum is located at 1911 Pacific Ave., in downtown Tacoma, right off 1-5. Hours are Wed. to Fri. from 10 a.m. to 4 p.m. (with extended hours and free admission every third Thursday from 2 to 8 p.m.); Sat. and Sun. from 10 a.m. to 5 p.m. Admission is $8 for adults; $7 for seniors (age 60 and above); and $6 for students and military with valid ID. Children (age 5 and below) and members are FREE. For more information, call (888) BE-THERE or visit www.WashingtonHistory.org.

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Drawing by Rick Spears/Darby Creek Publishing and are from “Tales of the Cryptids” by Kelly Milner Halls. (Rick Spears)

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Images courtesy of Dr. Jeffrey Meldrum, author of Sasquatch: Legend Meets Science

Washington State History Museum: Sasquatch Press Release

Purchase Sasquatch: Legend Meets Science, by Dr. Jeffery Medlrum

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Auction alert: January R & R Auction ends this Wednesday!

If eBay is any indicator, the collectibles market is heating up again: I’ve noted a lot of interesting stuff and some vigorous bidding of late, a sure sign that the economy is improving. And while a lot of folks aren’t out of the woods yet, financially – many are downsizing their collections because they were downsized themselves at work – at least we’re not reliving the Great Depression, with soup lines and dust bowls and old ladies selling pencils on street corners (although I was hoping certain culpable Wall Street speculators would oblige us by taking swan dives out of high windows).

All of this is good news for sellers, the needy and the greedy alike. For buyers, it means that great deals are going to get harder to find: If you’re actively building your collection – and who isn’t, at least in spirit? – this is the time to be vigilant.

In the coming months here on AmeriCollector.com, you can look forward to notices of auctions worth checking out both for the uniqueness of the lots and the chance to nab a fine item at a good price.

This week, have a look at the R & R Auction (www.rrauction.com) January autograph auction, which closes Wed., Jan. 13 (the 10-minute rule starts at 10 p.m. EST). The buyer’s premium is 20 percent, and there are both high- and low-end items and, as of this writing, plenty that have no opening bids (which usually start at $100). Here’s a sampling across the price range:

• A pretty unbelievable album of autographs collected by the wife of a major general in the Civil War, containing more than 200 signatures of 19th-century notables. The collection includes three presidents, officers on both Union and Confederate sides, statesmen, authors and other. Among them: Ulysses S. Grant, Andrew Johnson, James A. Garfield, John C. Fremont, William T. Sherman, Philip H. Sheridan, William S. Rosencrans, Carl Schurz, Daniel E. Sickles, Henry W. Slocum, Lew Wallace, P. G. T. Beauregard, Nathaniel P. Banks, Henry Ward Beecher, Salmon P. Chase, Schuyler Colfax, Horace Greeley, Edward Stanton, William H. Seward, “Billy” Sunday, Gideon Welles and Thaddeus Stevens. Now at $1,612; next bid $1,774.

• A copy of mobster Mickey Cohen’s autobiography “In My Own Words” with an autograph note to a collector tipped in. Cohen had been a prizefighter in an earlier life, and I think it ironic that his handwriting – like that of some other pugs, like Jack Dempsey in his younger years – has a loopy, schoolgirlish look. Who woulda thought it? Now at $100; next bid $110.

• A great Walt Disney signed typed letter, on his personal letterhead and dated Dec. 1, 1941, to Louis Desser, managing editor of the Hollywood Star-News. It talks about the newspaper’s good review of “Dumbo,” and Disney encloses payment for a three-year subscription for Spencer Tracy’s son, a private-school student. Now at $2,716; next bid $2,988.

• Various Charles Schulz signed items, from inscribed “Peanuts” books (bidding unopened at $100) to a hand-inked comic strip panel from 1971 featuring Snoopy at his typewriter (now $15,700; next bid $17,270).

• Seven pages of diagrams annotated by former Major League catcher/OSS agent Moe Berg and Swiss physicist Paul Scherrer detailing atomic chain reactions. Dated Dec. 26, 1944, this precedes the dropping of the atomic bombs on Japan by eight months. An amazing piece of World War II and science history (now $888; next bid $977).

• Beautiful satin-finish 8×10 color photo Yankees sluggers Mickey Mantle and Roger Maris, signed in blue felt-tip (now $862; next bid $949).

• Two signed 8×10 photos of Michael Jackson, one with him posing with a whole bunch of cops (both now at $267; next bid $294).

• A 1955 songbook titled “The Elvis Presley Album of Juke Box Favorites,” signed “Yours, Elvis Presley.” Some condition issues, but on the 75th anniversary of the King’s birth, it already has 19 bidders (now $1,952; next bid $2,148).

• A George Gershwin cancelled personal check for $25, dated Oct. 26, 1935 ($294; next bid $324).

• A black-and-white 11×14 portrait of star-crossed Seattle-born actress Frances Farmer, inscribed in fountain pen “To Fred, with all love and gratitude, Frances” (now $900; next bid $990).

A framed autograph, especially a photo, makes a great Valentine’s Day gift. Remember, you have to register to bid.

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Photos courtesy of R&R Auctions, www.rrauction.com.

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‘Antiques Roadshow’
announces 2010 tour

If you’re not already on the “Antiques Roadshow” e-mail list – or have never checked out Antiques Roadshow Online on the PBS Web site (www.pbs.org/wgbh/roadshow) – you’re missing out on lots of great information: profiles of the appraisers and their past appraisals; recommended reading by subject; even a teacher’s guide with featured objects to get kids interested in history (one of our missions, too, here at AmeriCollector.com).

Meanwhile, the “Roadshow” has just announced their 2010 tour stops:

Tickets to the “Roadshow” are given out by random drawing, and you have to apply by April 19. Visit the Web site to learn more.

And by the way, just last month, “Antiques Roadshow” executive producer Marsha Bemko published a book about the show: “Antiques Roadshow Behind the Scenes” (Touchstone/Stonesong Press, $16.99). Watch for a review of it in this blog.

Order book online:  Antiques Roadshow Behind the Scenes: An Insider’s Guide to PBS’s #1 Weekly Show

Visit AmeriCollector.com Calendar of Events

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