‘Collector’s items’

August 15, 2011 | Category: Catalogs received, Collector's items

AUCTIONS

Railroad Memories Auction Catalog 80Railroad memorabilia (closes Fri., Aug. 26, at 5 p.m. MDT). Auction Catalog 80 features more than 500 individual lots. This is the auction that serious railroad buffs watch for – but gift givers, home decorators and others will find plenty of great stuff too. Full money-back guarantee for authenticity and customer satisfaction. Railroad Memories, Railroadmemories.com


BOOKS, ETC.

Fine press books. August sale: 20 percent off. Great books about books. Oak Knoll Books and Press, Oakknoll.com

Newly acquired books. Rare and fine illustrated books and first editions – definitely not for the hospital used-book table crowd. Some incredibly beautiful editions are featured. Check out my personal fave: “The Works of Edgar Allan Poe” (1903), with more than 50 full-page illustrations: 10 volumes limited to 1,000 sets, for $2,750. David Brass Rare Books, Davidbrassrarebooks.com


EVENTS

Lady Washington19th Annual Tacoma Maritime Fest (Sat. and Sun., Aug. 27 and 28, 10 a.m. to 6 p.m.): Celebrating Tacoma’s maritime heritage, the Maritime Fest has merged with the Clean Green Boating Festival. At Thea’s Park (535 E. Dock St., Tacoma) and the Foss Waterway Seaport. Free Commencement Bay boat tours aboard the Good Time II, beer garden (must be 21 or older), free Tacoma Rail train rides, street performers, live bands, tours of the tall ships Lady Washington and Hawaiian Chieftain, Native arts and crafts, activities for the kiddies and lots more! Free shuttle bus service. Visit Maritimefest.org and Fosswaterwayseaport.org.

The Amory Wars, Cover art, Tony Moore2012 Emerald City Comicon (March 30–31 and April 1, 2012) announces next year’s first convention guests:

  • Bill Sienkiewicz, Eisner award–winning and Emmy-nominated artist (Marvel Comics’ “Elektra: Assassin,” “Stray Toasters”).
  • Tony Moore, artist (“Venom,” “Fear Agent,” “The Walking Dead”).
  • Brian Clevinger (writer) and Scott Wegener (artist), co-creators of the Eisner-nominated series “Atomic Robo.”
  • Dennis Calero, artist on Marvel Comics’ Noir books (“Luke Cage,” “X-Men,” “Mark of Cain,” “Weapon X,” “Spider-Man Noir,” “Punisher”) as well as “X-Factor,” “The Phantom,” “Doctor Solar: Man of the Atom,” “Dark Tower,” “Elric” and others.

Visit Emeraldcitycomicon.com.


 

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‘Pawn Stars’ pretenders: All that imitates isn’t gold

August 1, 2011 | Category: Advice, Restoration

Pawn Stars I continue to enjoy the History Channel show “Pawn Stars” – and apparently I’m not alone: “Hardcore history: 6 reasons I love ‘Pawn Stars’” (Feb. 23) turned out to be one of our most popular posts, if the number of visitors to the story and the feedback are any indication.

“Pawn Stars” continues to be the best collector’s reality show, in my opinion, and already some of its imitators are running out of steam and possibly disappearing altogether. In my opinion, here’s how I think some of them compare:

  • “Oddities” on the Science Channel is hard to resist because it’s so offbeat: half retro scientific, half Coney Island sideshow, half gothic/punk weird (imagine an antique shop run by the Addams Family). “Oddities” definitely fills a niche, as the folks at Obscura Antiques & Oddities in Manhattan get excited about things that the folks at Gold & Silver Pawn Shop (the “Pawn Stars” people) in Las Vegas would never allow through the doors …
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    And for good reason: Some of the items featured on “Oddities” – human gallstones, desiccated body parts, Victorian lab specimens pickled in murky fluids – aren’t to everyone’s taste. Welcome to the East Village!
  • “American Restoration” (on the History Channel), an actual “Pawn Stars” spin-off, is a fresh concept that will inevitably broaden collectors’ and junkyard entrepreneurs’ horizons. But I’ve enthused enough about the show already: See “Restore MORE” (May 2) and “Restoration angels” (April 15) below.
  • “American Pickers” (on the History Channel) is interesting because it follows Mike Wolfe and Frank Fritz on a perpetual road trip in search of collectibles in remote barns, yards and warehouses.
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    “American Pickers” is very much a “guy” show, as Mike and Frank get really excited over things like vintage motorcycle parts and old oil cans. Unfortunately, I find the show as claustrophobic as the van these two guys crisscross the American countryside in: You better like them or you’re in for a long trip, even within a half-hour segment. (They can in fact get on your nerves – and each other’s.) What’s more, too much of the show is devoted to petty haggling over small stuff; the multiple transactions invariably lack the drama of the big single-item deals that “Pawn Stars” showcases.
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    Plus, you seldom if ever see the results of successful “picks” once the Wolfe and Fritz get them back to Antique Archaeology (with locations in LeClaire, Iowa, and Nashville) and clean the mung and rat turds off them. (In fact, I don’t recall seeing them actually SELL anything.)
    .
    That said, I do give these guys an “A” not only for effort but for maintaining their enthusiasm over their long hauls as they unearth treasures in grungy places where a lot of viewers would hesitate to stick their own hands.
  • Oddities | Inside Obsura “Storage Wars” (on A&E) focuses on four retailers (one is actually a young couple) who bid on the contents of abandoned storage units that are put up for auction, mostly in California.
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    “Storage Wars” is not a collector’s show per se: These folks generally resell the stuff via their own secondhand stores, and they’re just as happy to profit on a chest full of good power tools or an expensive stereo system as a fine painting or a rare book. In fact, only one of them, Barry Weiss, actually styles himself a “collector.” Nonetheless, I find the show engaging because the rules of the auctions – you can’t touch or rifle through the contents of the storage units, only view them from the doorway once the locks are cut off – really make this unusual business a treasure hunt – or a complete crapshoot. And I do mean crap.
    .
    After all, historically, treasure hunters have had their challenges, from curses on tombs, to booby-trapped strongboxes, to thievery and violence by rival fortune seekers, to scorpions and snakes (à la “Indiana Jones”), to bureaucratic red tape. Fortunately, the “Storage Wars” salvagers don’t have to contend with any of that – or they haven’t yet. However, for every collection of sports memorabilia or cache of proof coins they find, they do wind up with a few tons of worthless junk: old kitchen utensils, dirty laundry, broken-down furniture, you name it.
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    I’m waiting for them to find a human torso in an old freezer left behind by some Hannibal Lecter wannabe. THAT should boost their ratings …
  • “Hardcore Pawn” (truTV) doesn’t count as a collector’s show, either, but inasmuch as it’s a “Pawn Stars” competitor (Les Gold calls his dynasty the “first family of pawn”), I feel obliged to include it. The show’s Web site indicates that Les has “a passion for collecting unusual items,” but the show is really about running a tough business in a tough part of Detroit.
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    Personally, I find “Hardcore Porn” hard to watch: The exchanges between the borrower/sellers and the pawnshop staff are often abrasive and adversarial, and the exchanges between the members of the Gold family almost always are. I realize that interpersonal conflict fuels a lot of reality shows, but does anyone who wants to relax in front of the TV – especially if they grew up in a dysfunctional family themselves – really need to see this?
  • “Auction Kings” (on the Discovery Channel) follows the staff of Gallery 63, a Sandy Springs, Ga., auction house, as they accept and prepare – and in some cases repair – consignments, which they put on the block at the end of each episode.
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    While owner Paul Brown and the rest of the “Auction Kings” are a likable bunch, they don’t seem to be specialists in anything, and their auctions exactly don’t exactly bust at the seams with bidders. (Like the stodgier British TV series “Cash in the Attic,” it’s all in-person or telephone bidding – nothing online – and apparently the auctions are only locally advertised and publicized through mailing lists.) The upside: The bidding audience is a companionable bunch and always seem to enjoy themselves. Furthermore, this only goes to show the enterprising collector that some of the greatest finds are still to be made the old-fashioned way: by traveling to small-town auctions, library and church benefits, thrift shops, and estate, garage and yard sales. But you know that already from watching “Antiques Roadshow”
  • “Pawn Queens” (on TLC) features two guileless and attractive blondes running a pawnshop in Naperville, Ill. According to show’s homepage on the TLC Web site, “the pawn industry in America has been entirely run by men – until now. Two women choose to take on a man’s world and open the nation’s first female-owned pawn shop. But sticking it to ‘the man’ is not their only obstacle. Although the residents of their town have plenty of valuable fashion items to unload, Minda (Grabiek) and Nicky (Ruehl)’s business is tested daily … as is their friendship.
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    Obviously this is TLC’s answer to “Pawn Stars”; unfortunately, the question is: Who thought of this goofy concept? And is the show even on the air anymore? In the last one I saw, Minda and Nikky were agonizing over how much to pay for an overpriced Barbie. (Yawn.) C’mon, girls, show some ambition: Americans expect more than that on cable. A Barbie? How can you hope to compete with the Obscura guys on “Oddities,” who recently bought a shrunken head?

.

Which makes me want to offer my own cable show idea: one that follows half a dozen entrepreneurs of varying levels of honesty and personal appeal as they try to make their nut through online auctions. Hosted by an aging Pamela Anderson in a bikini, it would be called “eBaywatch,” and viewers would be encouraged to submit live feedback during the original airing, with the sellers who receive the lowest percentages getting kicked off the show (and possibly getting busted for hawking stolen goods, which happened to an eBayer in Olympia a few years ago).

Stay tuned …

Coming up: 6 ways to improve “Pawn Stars

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Battle lines: Vintage newspapers documented the Civil War as it happened

July 26, 2011 | Category: Civil War, Newspapers

Tim Hughes Rare & Early Newspapers

No surprise: The daily newspaper, which endured the advent of both radio and television, is becoming an artifact of the past. In the Information Age, when time is measured in nanoseconds or less, and high-speed Internet makes even computerized printing presses seem positively Paleozoic, hard-copy newspapers – which are only going up in price – seem a waste of money and pulpwood. Want the latest commentary on Casey Anthony’s romantic prospects? Watch “Nancy Grace” on your iPhone. Need a discount coupon for ink cartridges or paper for your printer? Print one out … if you still have enough ink and paper left. (The Internet brings all that and more to you with a few keystrokes; I didn’t say it would necessarily make you smarter.)

Personally, I’m going to miss the newsprint dailies when they finally go extinct: I keep thinking of all those hardworking Depression-era kids in knickers yelling “Extra! Extra! Read all about it!” who got some meager income from hawking papers; nowadays, a lot of kids don’t even have THAT as a job prospect, even fresh off the college commencement stage, diploma in hand. What’s more, think of how many great writers got their start by writing for the dailies, a proving ground for people with real literary ambitions. Now any schmuck can get his or her writing all over cyberspace (no editor required!); take it from me, I’m one of them …

But let’s not lament progress: The reduced need for newspaper may mean the northern spotted owl has a chance after all! (Incidentally, can someone tell the Sierra Club to stop enclosing a quarter pound of useless paper in their junk-mail donation solicitations?) Besides, history buffs, gift givers and collectors have a huge selection of authentic, original vintage newspapers to choose from at Timothy Hughes Rare & Early Newspapers, of Williamsport, Penn.

I have purchased a number of newspapers from Tim over the years – starting with an issue of an early Washington Territory paper, the Daily Puget Sound Courier, from the early 1870s. (For others with an interest in the Northwest, I note that Tim currently lists an issue of the Walla Walla Statesman from 1867 for $54; an issue of the Daily Olympian from 1876 for $57; an 1873 issue of the Port Townsend paper the Semi-Weekly Argus for $80; and a rare copy of the Alaska Times, published in Seattle in 1871, for $395. How many antique malls would you have to visit to find all those?) I have since purchased – and regular search for – other issues in different subject categories, like boxing and whaling and even offbeat stuff like early reports of sea serpents off the coast of New England.

I even use Tim’s site for research. For example, after Googling early incidents of shark attacks in American waters – don’t ask me why – I found Tim has an issue of the Connecticut Courant from 1818 that gives an account of an African-American boy eaten by a shark when he tried to swim to shore from a ship at anchored in Bristol Harbor, off Providence, R.I. – an account I could not find anywhere else online, and possibly the earliest confirmed death by shark in the New World. (Two earlier incidents, including a possible bull shark attack in the Hudson River in 1642 and a possible tiger shark attack in Hawaii in 1779, are noted as unconfirmed.)

But as usual I digress. The fact is, even if you are interested in tamer things, like postage stamps and clocks, Tim usually has any number of vintage periodicals with contemporary images, advertisements and, needless to say, hard news going back to the 1600s.

For example, on this 150th anniversary of the start of the American Civil War in 1861, I couldn’t help asking Tim about newspapers relating to the war – individual issues, you can imagine, that were read by whole families and even communities thirsty for information on the war’s progress and their loved ones’ welfare. Having interviewed Tim before, I expected him to be fund of historical knowledge; he didn’t disappoint. Here are his responses:

AmeriCollector: How many Civil war newspapers do you have in stock?

Tim Hughes: Within our inventory of over two million newspapers, we currently have just shy of 9,000 Civil War era newspapers, limited to those dating from April 1861 thru April 1865. And these would be just “Yankee” newspapers. Newspapers from the Confederacy encompass another 800 to 900 issues within our inventory.

AC: Then these do not include antebellum and Reconstruction-era papers.

Tim Hughes Rare & Early Newspapers Tim: No. These are entirely different eras with a different historical feel, although very intriguing among themselves. Newspapers just two or three years before the outbreak of the Civil War reflect a national unease, a tension which had to reach a boiling point. And with historical hindsight, we know that the Civil War was inevitable. Equally interesting are newspapers from one to two years after the final surrender of Confederate forces, as both news reports and editorial comments would reflect not just a sense of relief that that horrible was over, but where would we go from here? How do we re-assimilate the Confederates states into the Union? How do we deal with the fallout of thousands of freed slaves? Again, with historical hindsight we know it all worked out, but to the citizens of 1865 and 1866 there were many troubling questions with answers yet to be found. Only by reading newspapers of the day can one appreciate the mood of the country at the time. History books have a way of glossing over many interesting subtleties of this fascinating period.

AC: How many of your regular collectors specialize in the Civil War?

Tim: The Civil War is the largest “category” that we sell, and by a two-to-one margin; however, there are many categories within the hobby (number one would be 17th and 18th centuries, including the Revolutionary War). But I would estimate about 30 percent of our customers purchase Civil War newspapers, either as an occasional purchase or as a complete focus for the collection.

AC: What subjects do they collect (e.g., specific battles, military campaigns, states, personalities, illustrated papers)?

Tim: The collectible subjects are as varied as our customers, which is one of the great aspects of this hobby. One can tailor their collection within this category according to their interest: only major battles; issues with mention of key figures (Lincoln, Jeff Davis, Grant, Lee, etc.); issues reporting battles from within their state; issues reporting battles close to their hometown; one newspaper from as many different cities as possible; etc. One intriguing opportunity within the hobby is to collect reports of a single battle in both a Yankee and Confederate newspaper and recognizing the strong editorial biases supporting each of their causes. You would swear that both sides won every battle during the Civil War. There are also “camp” newspapers, small newspapers printed in the field on small presses with the newspaper traveling from place to place with the soldiers. They are fascinating and very rare … part of the thrill of the search!

AC: What are the rarer issues – and what’s the rarest one you have? Are Confederate papers harder to get or in greater demand than papers from the Northern states?

Tim: Confederate newspapers are considerably more rare in today’s market. As the war drug on and the northern troops moved through the South, it was not unusual that public buildings and institutions would be ransacked or burned, destroying holdings of newspapers forever. Plus, with most of the paper mills located in the North, there was simply a scarcity of paper which the Southern presses had to deal with, causing many to limit their press runs if not shut down completely. But even this hardship resulted in a fascinating niche item for the newspaper collecting hobby, as some Southern titles were forced to print on “necessity” paper, essentially anything they could find that would take ink. There are newspapers printed on the back of wallpaper, printed on blue, green, pink, yellow paper, on wrapping paper, on paper made out of corn husks, on lined ledger paper, etc. They are a joy to find. As with any collectible, the more rare the item, the more desired they are (and higher the price), so yes, Confederate newspapers are in more demand than Northern titles.

Perhaps our most rare issue would be the Red River Rover, a small newspaper printed on board the steamer Des Moines on lined tablet paper. There are personal handwritten notations inside, which only adds to the uniqueness of the issue. I have only ever encountered one issue of this title in 35 years.

AC: What is a price range?

Tim: Northern newspapers with Civil War reports typically retail for anywhere from $20 to $35 each for “average” issues with common battle reports. Issues with maps on the front page will command double this amount, and issues with significant battles or events can range from $100 to $2,500. The most desired newspaper is typically the first report of Lincoln’s assassination, although issues with the Gettysburg Address and the Battle of Gettysburg are in very high demand as well. Average Confederate newspapers tend to sell for $100 to $150 each, and again, issues with more significant content can take prices over $1,000. The rarity of the title comes into play with Confederates titles more so than with Yankee titles, with issues from Richmond and Charleston being among the more common, while issues from Florida or anywhere in the Deep South are much more rare and consequently much higher-priced. Such issues would sell for $400 to close to $1,000 each without any significant content.

AC: Why collect vintage newspapers?

Tim: Early newspapers provide a fascinating and unique glimpse into the past, allowing one to be a witness to history as it was happening, raw with the emotions, biases and prejudices of the day and without the political correctness often found in today’s history books. Holding a Civil War newspaper is literally holding history. Someone, 150 years ago, held that actual newspaper in their hands and read – for the first time – the battle reports that were ongoing and shaping their country, and from a perspective of not knowing the outcome. Early newspapers offer that special thrill which cannot be captured in a book, video or Web site presentation.

AC: Are there any other interesting anecdotes you can add about Civil War newspapers?

Tim Hughes Rare & Early Newspapers Tim: There is a multitude of fascinating stories behind many of the newspapers of the Civil War era, and with a little research the back story of Civil War newspapers can be brought to life. One example is the Memphis Daily Appeal, a collection of which recently came into our inventory. We noticed that some of the issues had a dateline of Jackson, Miss., others Atlanta, Ga., which seemed odd for a Memphis newspaper. We came to learn this newspaper had an unusual and fascinating history.

Memphis was a Confederate stronghold up through the Battle of Memphis on June 6, 1862, at which time the Yankees moved in and it became a Yankee city. The Memphis Daily Appeal, dedicated to the Southern cause and rallying both civilians and soldiers, was the most important newspaper of the region and soon became known as the “Moving Appeal.”

On June 6, 1862, the presses and plates were loaded into a boxcar and moved to Grenada, Mississippi, where it stayed for a few months, until approaching Federal troops threatened again, forcing a move in November 1862 to Jackson, Mississippi, where it published until May 1863, when Federal troops again arrived. By this time, the Appeal had gained notoriety among Union forces as a rebel sympathizer while it remained on the run. The next stop was Meridian, Miss., from where, one issue and two days later, the wandering journalists moved on to Mobile, Ala., then to Montgomery, and ultimately to Atlanta, the economic heart of the Confederacy. Publication from Atlanta began in June 1863 and continued through July 1864, when it returned to Montgomery, where it published from September 1864 to April 1865. Its final move was to Columbus, Ga., where Federal forces finally caught up with it. It resumed publication following the war in Memphis on November 5, 1865. During just a four-year period this newspaper was published in nine different cities.

This is the story of just one newspaper from the Civil War. What other stories do Civil War newspapers hold which await exploring? This is just part of the thrill of collecting old newspapers.

All images courtesy of Timothy Hughes Rare & Early Newspapers

Learn more about vintage newspapers: Visit the Timothy Hughes Rare & Early Newspapers Web site at www.rarenewspapers.com.

Fair disclosure: Tim Hughes Rare & Early Newspapers is an advertiser on AmeriCollector.com.

 

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Catalogs received

July 25, 2011 | Category: Auctions, Catalogs received

AUCTIONS

American History (closes Aug. 1). Cowan’s Auctions, Cowanauctions.com

Autographs (closes Aug. 10). RRAuction, RRauction.com

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BOOKS, ETC.

Fifty Rare Works in Science, Medicine and Thought (Catalog 40): Featuring classic works by Bacon, Bohr, Copernicus, Dalton, Darwin, Einstein, Grew, Hobbes, Humboldt, Lorentz, Maxwell, Mesmer, Planck, Röntgen, Rutherford, Vesalius, etc. Jeremy Norman Rare Books, Historyofscience.com

Maritime List (Catalog 203): 75 old and rare books and documents pertaining to maritime history. Notable items include the log of a ship captured by the real pirates of the Caribbean in 1805, illustrated logs of a turn of the century yachting family, a fine whaling log and a rare pamphlet about a female hardhat diver. Ten Pound Island Book Company, Tenpound.com

Rare and Early Newspapers (Catalog 188): Nearly 2,000 issues discounted by 50 percent, a wonderful collection of Citizen Soldiers, a set of top-end collectible issues, and informative/educational posts on collecting rare newspapers. Timothy Hughes Rare & Early Newspapers, Rarenewspapers.com

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Murder by numbers: Do we really need another ‘survey’ of serial killers?

July 18, 2011 | Category: Book review, Morbid memorabilia, True Crime

Serial Killers: The World's Most Evil I confess: I’m fascinated by serial killers. It’s certainly not because I feel any affinity for monsters disguised as humans; far from it. I abhor murderers, and mass murderers many times so.

What I find amazing is the fact that so many serial killers – like Gary Ridgway, Robert Yates and the notoriously affable Ted Bundy – seem so NORMAL if not downright likable to unsuspecting friends, neighbors and coworkers. In fact, I once overheard an elderly man in Tacoma say that Bundy – who admitted to kidnapping, raping and murdering 36 women – had been one of his son’s friends, had been a guest at their home on many occasions and was the nicest boy you ever met. The old fart declared that when Bundy was executed in 1986, “I didn’t believe he killed all those women then, and I STILL don’t think he did it.”

Hopefully, most of our kids won’t be inviting violent psychopaths over for dinner anytime soon. All the same, it’s pretty horrifying when a serial murderer strikes close to home – or even close to one’s former home. I’m thinking of the so-called Long Island Serial Killer, a nut job who has been dumping corpses among the cattails about 20 minutes from where I grew up. Even the name “Long Island Serial Killer” shows how incomprehensible that is: With more than 7.5 million people, Long Island is more populous than 37 of the 50 states and Puerto Rico; yet no one talks about the “Washington State Serial Killer” (um, which one?), the “Wisconsin Serial Killer” or even the “Utah Serial Killer.” Who could imagine such a horror in a place that can still provide shooting locations for “Our Town,” “The Great Gatsby” (the setting of which was Long Island’s north shore), “American Graffiti” and, well, even “Jaws”? For me, detached from my Long Island boyhood by decades and the width of a continent, these murders cast an ugly pall over the idyllic seascapes of my past – even more so than if a monster great white shark really were preying on swimmers in the Great South Bay. I can’t help wondering how the discovery of those bodies must affect the sense of security of those who now live along that otherwise postcard-perfect shore – and, infinitely worse, those closest to the victims?

No community expects a serial murderer to crop up in their midst, like measles or Scotch broom. Yet, it happens more than most of us are aware, in places few would expect. (I was living in Japan in 1989 when Tsutomu Miyazaki, the “Otaku Murderer,” was apprehended after killing and dismembering four preadolescent girls.) Is this the product of a more explicit, more permissive media-driven popular culture – or are we just getting better at recognizing an evil that has been with us all along; that has naturally increased with population growth and demographic shifts; that has made use of technology – from automobiles to surveillance equipment to computers – to better perpetrate their atrocities; and that are more effectively detected with advanced forensic and law enforcement procedures, notably DNA analysis? I’m inclined to think the latter: What medieval folklorists called werewolves and vampires, former FBI criminal profiler Robert Ressler divides into “organized” and “disorganized” serial killers.

None of this should make us rest easier. Which is why I gave Nigel Blundell’sSerial Killers: The World’s Most Evil” (Barnesley, U.K.: Wharncliffe, 2010; hardcover, 190 pp.) a real close read even while asking myself: Do we really need another quick rundown on a couple of dozen exceptional horrible crazies? What’s to be learned from this?

For one thing, what you can learn from “Serial Killers: The World’s Most Evil” may be as much in spite of the author as because of him. If you search “Nigel Blundell” in Amazon’s “Books” category, you’ll find that he has authored or co-authored a number of other books about serial killers (“Serial Killers: Murder Without Mercy,” “Serial Killers: Butchers and Cannibals,” “Encyclopedia of Serial Killers”); he is, in effect, a serial serial-murder writer. I hope his other works are better than “Serial Killers: The World’s Most Evil,” seems a slapdash effort, as if he was hurrying to complete the manuscript on deadline. Worse, he offers up nothing new about serial murderers, merely seizing on others’ ideas or regurgitating well-known facts. Anyone who can spell “Google” can do that.

Blundell starts out talking about the “Most Evil Scale” that Columbia University professor of psychiatry Michael Stone came up with, as if this would be an authoritative basis for addressing the subjects in “Serial Killers.” Unfortunately, Dr. Stone’s “scale” is a lot of completely subjective baloney concocted for media consumption, based as it is on criteria like number of victims, premeditation, the nature of the sexual acts performed, the amount of pain inflicted, etc., with bonus points for stuff like cannibalism and necrophilia. Talk about pedantic: Stone actually defines 22 levels of evil – like he’s trying to outdo Dante or something! According to Stone’s scale, John Wayne Gacy, Leonard Lake and Charles Ng, and Jeffrey Dahmer get a big “22” from the judges because torture, not even murder, was the primary motivation; Gary Ridgway gets a “19” because murder was his real motive and any torture inflicted was not prolonged; Ted Bundy gets only a “17” because rape was the motive and the murders were perpetrated only to hide the bodies; and Wisconsin ghoul, cannibal and human skin fashionista Ed Gein – who Norman Bates (“Psycho”), Buffalo Bill (“The Silence of the Lambs”), and Leatherface (“The Texas Chainsaw Massacre”) were all based on – gets a piddling “13” because he had an “inadequate” personality, with rage, not sex or the desire to kill, being his driving urge.

Thanks, Professor, I feel better already!

Seriously, how is such a scale in any way helpful – and to whom?

What’s more, I got all of this I got online; it’s really just glossed over by Blundell, who doesn’t really apply the dubious “Most Evil Scale” to anything once he introduces it. (Is there an editor in the house?) Then he launches into descriptions of an international selection of apprehended serial murderers and their crimes are cursory at best, with an occasional error (for example, the University of Puget Sound, which Ted Bundy briefly attended, is in Tacoma, not Seattle). How he chose these individuals is not clear: Why Dennis Rader (“BTK”) and not the more prolific Gary Ridgway (the “Green River Killer”)? Why Angelo Buono and Kenneth Bianchi (the “Hillside Stranglers”) and not Richard Ramirez (the “Night Stalker”)? Who knows? Watch for Blundell’s next book …

In fairness, what I did get from Blundell, who is British, was a more cosmopolitan look at serial murderers: After all, we Americans are so preoccupied with our own homegrown maniacs that we forget that the Brits, the French, the Belgians, the Italians – even the Russians – have their own crazies to contend with. Some of the accounts in “Serial Killers” also give a sense of how good police work and the attentiveness of ordinary citizens have led to the capture of some serial murderers – and how investigative screw-ups and the failure of witnesses to come forward have allowed some predators to continue to run amuck.

“Serial Killers: The World’s Most Evil” is not a great book, but for the above reasons, it may be a worthwhile read for newcomers to the subject who have fairly strong stomachs. True-crime aficionados already familiar with the cases will find nothing new in these pages.

My advice to the author: Organize future compendiums by more specific themes (era, location, the specific nature of the crimes) and do some original investigation or at least original expert interviews, rather than just cannibalizing, so to speak, other sources.

And please leave the “Most Evil Scale” to the cheesier cable TV crime reenactment shows.

Serial Killers: The World’s Most Evil” by Nigel Blundell is available on Amazon.com. <strong>Murder by numbers:</strong> Do we really need another ‘survey’ of serial killers?

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‘Travel by train’ this Father’s Day: Railroad Memories auction ends Fri., May 13

May 10, 2011 | Category: Auctions, Railroad memorabilia

RR LOT 4 292x300 <strong>‘Travel by train’ this Father’s Day:</strong> Railroad Memories auction ends Fri., May 13Railroadiana enthusiasts; amateur genealogists; regional historians; china, glass and silver collectors; man-cave decorators – check out the current auction at premier railroad memorabilia dealer in and authority on Denver-based Railroad Memories (www.RailroadMemories.com). It closes Fri., May 13, at 5 p.m. Mountain Time (7 p.m. EST, 4 p.m. PST) – just in time to receive and gift wrap for Dad or Granddad for Father’s Day.

As usual, by subscribing to Railroad Memories auctions (cost: $45, or $65 if you are outside the U.S.), you are exempt from the 10 percent buyer’s premium and receive four beautiful auction catalogs annually – great reference material for collectors.

The current auction (number 79) features more than 500 lots, in categories ranging from advertising to playing cards, and in a wide range of minimum bids.
No matter what collecting “line” you ride, you’re bound to find something of interest. For example:

For advertising, neon and clock collectors: Lot 4, a 1930s “Travel by Train” neon advertising depot clock manufactured by Glo-Dial. The fully restored clock measures 22 inches in diameter with black enameled metal case and white letters on the dial. This is only the second such clock that Railroad Memories has offered; the last one went for more than $4,000. (The winning bidder has to either pick up or pay for professional crating, due to the fragility of the neon tubes.) Minimum bid $1,500.

For tobacciana and china collectors: Lot 154, a Chesapeake & Ohio Lines china silhouette ashtray, side marked and manufactured by Buffalo. Light wear but in good condition. MB $25.

For barware and advertising collectors: Lot 11, two Rio Grande highball glasses with “Mainline Thru the Rockies” logo on one side and “Rio Grande the Action Railroad” on the other in orange enamel. Each measures 3.5 inches across the top and stands 4.5 inches tall. MB $10.

For silver and salt-and-pepper-shaker collectors (Don’t laugh: The latter abound): Lot 254, Southern Pacific silver salt and pepper shakers with the Daylight winged logo on sides. Manufactured by International Silver and both bottom-stamped “Southern Pacific.” MB $200.

For art deco, game and playing-card collectors: Lot 508, mint-sealed Santa Fe line Congress playing cards showing the business end of a classic streamline engine on a blue background with yellow border. MB $5.

For patent collectors and “urban archaeologists”: Lot 136, what appears to be a late 1800s miniature patent model Pullman window, with etched glass and housed in a wooden box. It’s 22.5 inches tall by 11.5 inches wide. The window slides up and down, and there’s a locking mechanism. The trim on the top is loose. MB $250.

Those are just some of my personal favorites. I asked Railroad Memories owner Susan Knous what she considered auction highlights. She mentioned the neon clock and the Pullman window patent example (“One of my favorites,” she said, noting, “Cool pieces like this just make my job so fun.”) as well a rare Virginia & Truckee lantern (lot 410, MB $1,200), an Illinois Central French Quarter service plate (lot 178, MB $200), a Pacific Express six-lever padlock with working key (lot 432, MB $1,000) and a Pennsylvania Railroad silver menu holder (lot 245, MB $200).

If you’re gift shopping for a railroad buff, but aren’t sure what to get, an annual catalog/auction subscription is a great idea; if spot the perfect gift among the lots, don’t wait to register for this auction, which closes Fri., May 13, at 5 p.m. Mountain Time. Visit www.RailroadMemories.com to see the goods and get on board.

Images courtesy of Railroad Memories.

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Restore MORE! Will ‘American Restoration’ launch a junkyard renaissance?

May 2, 2011 | Category: Restoration

Rick Dale | American Restoration

Rick Dale | American Restoration

So far, I’ve seen about 10 episodes of “American Restoration” (including the original pilot), which premiered on the History Channel last month (see “Restoration angels” on April 15), and I can’t get enough of them, for four reasons:

• The focus is on the work more than on personalities.
• The restoration process is really cool.
• The items that are restored have broad appeal.
• The possibilities are ENDLESS …

That last one is the biggie. How many times have you seen an old, rusted gas pump in front of an abandoned service station, or gone to a garage and spotted a dinged-up kid’s pedal car that was missing its wheels and most of its paint – or uncovered a flea market Frigidaire, circa 1940, that looked and smelled like it was used to store bait – and thought, “If this thing were in really great condition, it would be the coolest thing to have in my den”?

Maybe it’s the fact that so many manufactured goods these days, no matter how high-tech, seem cheap and shoddy compared to what they used to make. (Remember when cars actually had more metal than plastic on and in them?) Or maybe the depressed economy has given us a better appreciation of the virtue of thrift and the salvaging of disused items. Or maybe we just love retro and get off on the fact that we can have some really wonderful stuff if we are willing to invest in it …

Even my wife – who collects NOTHING and doesn’t “get” why other people do – enjoyed “American Restoration”: She loves the idea of taking something old and crappy and making it new again, especially if it is an object of sentimental value, like your dad’s old Radio Flyer.

I’m certain that more and more people are going to seek professional restoration services as a result of “American Restoration.” The show will surely jump-start all kinds of businesses and possibly whole academic programs at colleges and vocational schools around the country. After all, people have been restoring collector cars, antique commercial and military vehicles, vintage fire engines, old steam locomotives and rolling stock – not to mention fine furniture – for years … Why not long-abandoned machinery, kitchen appliances, commercial and recreational equipment and all the other artifacts of our culture that bring back memories?

For now, though, I’m glad that “American Restoration” seems to have gotten off to a great start – and even features visits from some of the “Pawn Stars” guys (sort of like Fonzie and Richie Cunningham showing up on “Laverne & Shirley” … well, sort of).

I’m looking forward to many more episodes …

Images courtesy of History Channel Press.

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Collector spotlight: Arthur Farrell, collector of Charles Eisenmann photos

April 30, 2011 | Category: Collector's spotlight, Photographs

Jo Jo the Russian Dog Faced Boy Serious collectors of vintage circus and sideshow memorabilia know and revere photographer Charles Eisenmann, an immigrant from Germany. Not long after the Civil War, Eisenmann established himself in New York’s Bowery, that thin slice of living history in Lower Manhattan running from East Fourth Street down to Canal Street.

Up until the mid-1800s, the Bowery and Broadway were Manhattan’s two main drags, and the Bowery was home to respectable, even upscale businesses. But the area started to slide; in fact, it became a skid row about the same time Seattle was building the real skid row (from “skid road,” for shooting logs downhill into Puget Sound, now synonymous for a blighted business district): The shops and offices went away, to be replaced by whorehouses and gambling hells, saloons and seedy theaters. But vice generally doesn’t flourish in a vacuum – not in New York, anyway; demographics (i.e., migration and immigration) and poverty usually play a part, and by the 1860s and the start of the Civil War, the area took on a distinctly rough edge. After all, the Bowery was located just north of the Five Points, the slum/battlefield documented in Herbert Asbury’s 1926 book “The Gangs of New York” and dramatized in the 2002 Martin Scorsese film of the same title. In fact, the original Bowery Boys, a century before the Hollywood comedy series, were a real nativist army of thugs who would have made Daniel Day-Lewis’ Bill “the Butcher” Cutting and his on-screen badasses look about as intimidating as Leo Gorcey and Huntz Hall.

When I lived in Manhattan in the early 1980s, the Bowery was a Kafkaesque urban canyon over which loomed grim factories and warehouses of sooty brick and iron, the archaeology of the Industrial Revolution; at night the area was desolate, a land of derelicts and winos. To be honest, I felt somehow drawn to that dark atmosphere but was also very wary of it, and I’d march through purposefully in the small hours on the way home from partying in the East Village, trying to look fearless but stopping for no one and nothing.

I hear that since the 1990s, like other edgy parts of Manhattan, the Bowery has been undergoing a renaissance (read gentrification, if you want to be political about it), but I’ll leave that to others to judge. Suffice to say that the neighborhood was still on the fringe at best in the 1880s when Charles Eisenmann set up shop, and if you poke around the cartes de visite and cabinet card photos on eBay, you’ll notice that there were a number of other photographers with studios there, often with ethnic names: Wendt, Ette, Feinberg, Gogler … Many of them photographed theater and circus folk as well, but not with Eisenmann’s panache, in my opinion. Other photographers also imparted nobility and class to their portraits of pinheads and parasitic twins, Borneo wild men and “Circassian” women (babes of any race with big Afros, considered risqué in Victorian times) … but Eisenmann’s rich compositions seem several cuts above the rest. In fact, his subjects seldom have that flat stare and stiff posture of most 19th-century photographic portraiture; many look like their pictures were taken yesterday, outdated clothing notwithstanding.

Eisenmann image I collected a few Eisenmann carte de visites (business-card-size mounted photos) back in the early eighties, before the Internet, when everything was harder to find. Then I gave them away and moved abroad, but resumed collecting them when I moved back to the States in 1999 and discovered eBay. There, at any time, there are usually at least half a dozen Eisenmann examples, which vary widely in price: Non-“freak” vaudeville performer photos and often go for as little as $10, while the rarer stuff can go for hundreds, easily. Of the sideshow subjects, midgets and albino women seem to make up the lower end; hirsute people (like Jo Jo the Russian Dog-faced Boy) and bearded ladies are at the high end. Apparently, the hair fetish dies hard.

Nonetheless, great deals are to be had, and I bid on many beautiful photos, only to be outbid, usually by the same person. At that time, eBay not only still showed competing bidders’ “handles,” you could even contact them directly. This person who was gunning for the best Eisenmann photos was obviously very serious and probably very knowledgeable. I decided to “reach out” and see if I could learn something about collecting Eisenmann.

That’s how I made the acquaintance of Arthur Farrell, a retired Long Island English teacher who had moved south. Arthur has more than 600 Eisenmann prints, including variations of photos as well as unusual subjects (of elaborate paper cutouts, animals, etc.). I don’t doubt that he is the world’s premier private Eisenmann collector at this time (the Ronald G. Becker Collection of Charles Eisenmann Photographs at Syracuse University contains more than 1,400 images).

I asked Arthur to tell me about his about his collection. Here is what he told me …

“About 12 years ago I bought a book at a local library sale entitled, ‘P. T. Barnum: America’s Greatest Showman’ by Philip B. Kunhardt Jr., Philip B. Kunhardt III and Peter W. Kunhardt (New York: Knopf, 1995). The book was an illustrated biography published to accompany a special about Barnum airing on the Discovery Channel. The book was a great read giving a chronological accounting of the showman’s life and was illustrated with hundreds of photographs. This wonderful volume led me to start collecting images by Charles Eisenmann, for many of the illustrated photos were taken by him.

“Apparently many of the extraordinary people Barnum exhibited in his museum had pictures taken in Eisenmann’s studio, which they subsequently sold to museum visitors. There were bearded ladies, snake charmers, albinos, long-haired and moss-haired women, little people, fat ladies and men, tattooed men and women and numerous other human oddities.

“However, Barnum didn’t just present the unusual. He also tried to assemble native tribes, people from all corners of the world. On one single page of the book were photos of a band of Nubians, Zulu warriors, high-caste Indians and Todas Indians, all taken by Eisenmann. Reading about the various human oddities on view at the museum was an educational experience for me, as it certainly must have been for the people in the 1880s.

“I was hooked.

“As I began to collect Eisenmann cartes de visite and cabinet cards, I discovered the Michael Mitchell book ‘Monsters of the Gilded Age: The Photographs of Chas. Eisenmann” (Toronto: Gage Publishing, 1979). This original volume dedicated to Eisenmann’s work was out of print and hard to acquire. However, I eventually bought a copy on eBay and really tried to acquire copies of all the wonders depicted.

“In 2002 Michael Mitchell reissued his original volume under a new publisher and a slightly different title: ‘Monsters: Human Freaks in America’s Gilded Age; The Photographs of Chas. Eisenmann’ (Toronto: ECW Press).

“One must not get the impression that all Eisenmann photographed were ‘freaks’ of nature. In my collection I have some wonderful portraits of actors and actresses that sat for him. Just one example is a wonderful photograph of Ullie Akerstrom, whom he photographed numerous times over the course of several years. Aside from being an actress, Ullie wrote plays and poems. If you Google her, you will find lots of information.

“I still try to add new additions to my collection.”

Images courtesy of Arthur Farrell.

Monsters: Human Freaks in America’s Gilded Age: The Photographs of Chas Eisenmann <strong>Collector spotlight:</strong> Arthur Farrell, collector of Charles Eisenmann photos

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King of pawn: Rick Harrison of ‘Pawn Stars’ talks about the shop and collecting

April 27, 2011 | Category: Exclusive, Interview, What experts collect

~ An AmeriCollector.com Exclusive ~

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Rick Harrison 300x242 <strong>King of pawn:</strong> Rick Harrison of ‘Pawn Stars’ talks about the shop and collecting

Rick Harrison of Pawn Stars

It’s no secret that I’m a huge fan of “Pawn Stars” on the History Channel (or HISTORY, as they prefer to be called). It should surprise no regular visitor to this site, then, that I’ve been trying for many moons to get Rick Harrison, lead luminary in the “Pawn Stars” firmament and owner of Las Vegas’ Gold & Silver Pawn Shop (www.gspawn.com), to tell us about starting out in the pawn biz and what he himself collects.

Rick’s a real busy guy, especially now that the shop is expanding (I hear it’s a regular stop on the Sin City tourist itinerary now); nevertheless, he was gracious enough to reply to a few of our questions. Thanks, Rick!

AmeriCollector: How and when did you get the business started?

Rick Harrison: I’ve been working in the business for close to 30 years. But the Gold & Silver Pawn Shop was not exactly an overnight success. I sought out a pawn license for most of the 1980s, but there was a long-established ordinance that no pawn license would be issued in the city of Vegas until its population exceeded 250,000. The good ol’ boys, back in the ’50s, figured we’ve got our pawnshops, we don’t want any competition, so they passed a law saying that they would issue one more pawn license when there’s 250,000 people in Vegas. This was when there was only 20,000 people in Vegas and nobody ever thought it would get to 250,000. But lo and behold, in 1988, I was the first to get a license.

AC: You’ve said several times on “Pawn Stars” that you might keep for yourself something you bought on those episodes of the show. We know you are excited by unique historic items (like shipwreck salvage), rock and roll (especially The Who) and fast cars. What do you consider your serious collecting areas?

Rick: Rare/historic books, old cars, fine art, military items … really, anything unique and unusual intrigues me.

AC: How do you build your collection? (e.g., through auctions, by visiting shops/dealers – or strictly from people who come into your shop?

Rick: Customers coming into the shop to sell items … or pawn them.

AC: What do you look for when choosing a new addition to your collection?

Rick: Is it rare? Will it make me a profit when I sell it?

Image courtesy of History Channel Press.

See new episodes of “Pawn Stars” Mondays at 10 p.m. EST/9 p.m. CST on the History Channel.

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Restoration angels: The History Channel’s ‘American Restoration’ premieres April 15

April 15, 2011 | Category: Exclusive, History, Restoration

~ An AmeriCollector.com Exclusive ~

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American Restoration crew April 15: a date that always reminds me of death, taxes, and collecting … and whether money owed to the IRS will put a crimp in the latter, at least in the short term.

Sometimes I find myself lying awake at 3 a.m., wondering about this collecting impulse in general and the next hot item I’ll be sniping on eBay in particular. Is it just me, getting weirder in my own head like Ted Kaczynski in his shack in the Montana woods?

When you get down to it, collecting is a solitary journey. Sure, you can go to lots of shows and auctions and events; join clubs and chat rooms and make friends; trade information and items; but at the end of the day, it’s everyone doing their own thing within the framework of their individual lives.

Certainly, collecting is an important part of my life. Sometimes I have to restrain myself, but for the most part I collect systematically, reasonably and within my budget; it does not threaten my marriage; I do not receive hate mail from creditors; my little ones do not whimper from hunger in the wee hours because I blew my paycheck in an online auction.

Still, I can’t help wondering sometimes: Am I nuts?

Then I consider the popularity of “Antiques Roadshow” and note the newest collector “reality” shows – many of them spin-offs or rip-offs of “Pawn Stars” – and realize: I may be crazy, but I am not alone. There’s “American Pickers,” “Oddities,” “Storage Wars,” Auction Kings, “Auction Queens,” “Hardcore Pawn,” “Mounted in Alaska” … Some of these are bound to fizzle out, but “Antiques Roadshow” is an enduring classic, and I’m pretty sure “Pawn Stars,” a personal favorite, is here to stay as long as Rick Harrison and Company care to keep it going.

What’s next, then: a show about a pawnshop on the Jersey Shore run by “guidos” with a special interest in taxidermy?

Nope: It’s a return to basics, the logical next step after “Pawn Stars,” a show I never miss (see “Hardcore history: 6 Reasons I love ‘Pawn Stars’” in the Feb. 23 AmeriCollector). It’s called “American Restoration” (www.history.com/shows/american-restoration) and features the crew of Rick’s Restorations (www.ricksrestorations.com), a Las Vegas business headed by owner Rick Dale, one of the guys who the “Pawn Stars” folks routinely bring in to restore stuff for the shop. In that context, it means fixing up a damaged item to make it salable at a realistic price that will make the pawnshop a decent profit.

For me, this is one of the highlights of “Pawn Stars. That’s because, sooner or later, any serious collector of anything of real rarity and value or importance has to agonize over whether or not to purchase something with condition issues and have it restored (another thing I think about during bouts of insomnia). Do you pass on a one-of-a-kind item because it needs some TLC by a professional? Does the cost of repairs outweigh the rush of getting a treasure at a bargain-basement price? Is restoring the item at all going to compromise its integrity?

Rick’s Restorations specializes in “classic restoration,” which they define as “returning the classic object to its original state when it was new.” They point out the difference between “restoring” and “customizing”: “Customizing is to add or modify something that doesn’t make the object original anymore. To do a classic restoration, you must make sure that all of the parts being replaced are specific to the object you are restoring.”

I asked Rick some questions about his work. I expected some great answers, and I wasn’t disappointed …

Rick Dale - American Restoration AmeriCollector: Looking at your Web site, most stuff you routinely restore seems to be made partly or completely of metal, with or without moving parts, but not electronic: i.e., pre-1960 machines, appliances, non-wood or upholstered furniture, and toys. Is that accurate?

Rick: We restore everything that is made from metal, plastics, wood, upholstery, aluminum, fiberglass, composite, etc. We are up for any challenge! If it’s old we can restore it!

AC: How long have you been doing restoration work, and how did you get started?

Rick: I have been doing restoration since I was nine years old and I’m now 52. Ricks Restorations has been in business since 1982.

AC: What do you enjoy about restoring vintage items?

Rick: I enjoy the complexity of each piece: It feels like I was born in a different era. The smiles the customer gives me when he or she see the item when finished is pure joy and satisfaction in itself – and I make a living doing it! We are restoring history and memories all at the same time.

AC: You guys are obviously sticklers for historical accuracy: How do you get the colors and other details right when you restore items to as close to their original condition as possible?

Rick: When we tear down a project, there is always a clue in it that lets you know. If not, then the research begins on the Internet.

AC: How far do you go to fashion a part if you can’t find a usable original?

Rick: Most parts are available online somewhere or we buy a complete exact piece to replace parts. Last resort is to fabricate a part exactly.

AC: What kind of items do you especially enjoy working on?

Rick: I love restoring different mechanical items. The more complicated, the better! There is no challenge we can’t take on.

AC: What items pose the biggest challenge to you?

Rick: The biggest challenge is not breaking the item in the tear-down phase and making sure you don’t lose any parts. There is no instruction manual so reassembly can be difficult at times.

AC: What are some of the most interesting things you have restored?

Rick: The most interesting pieces we have done to date:

a 1920s railroad train vacuum that has a mix of electrical motors and mechanics

• a 1940s coffee vending machine. There are more moving parts in this than a Swiss watch and it came from the first hotel built on the Vegas strip. You have got to see these episodes!

AC: On “Antiques Roadshow,” the Keno brothers always tell people not to restore old wooden furniture – that collectors like the “used” look – but a well-used Chippendale cabinet looks a lot better in your home than a rusted Coca-Cola vending machine. All the same, do you ever recommend NOT restoring something?

Rick: Sometimes . . . but it is truly up to the customer. We are restoring their memory. It’s not always about the money!

AC: I think I saw a “Pawn Stars” segment when you restored a soda vending machine to be used as a simple refrigerator, rather than a working dispenser. Do you often restore items to be used for somewhat different purposes than they were originally made?

Rick: Re-manufacturing something is always fun and challenging. You work with what you have because everyone has a different picture of what they want. It’s their happiness I want to provide.

AC: What do you yourself collect?

Rick: I collect nothing. With tens of thousands of pieces restored, I would need a city block to keep it all. After all, it’s a business!

“American Restoration” premieres Friday, April 15, on the History Channel: Check your local listings … and let us know what you think!

Images and video courtesy of History Channel Press.

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Real Deal‘: A new show for real collectors … especially ones who want to make a fast buck

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~An AmeriCollector.com Exclusive~ Yard sale speculators, eBay entrepreneurs, garage sale gamblers – you read it here first: There’s a new show just for you! It’s called “Real Deal,” and it premieres on …

Collector spotlight: Robert L. Shapiro

Robert L. Shapiro photo courtesy of Robert Shapiro

~ An AmeriCollector.com Exclusive ~ . In a recent post (“The real deal: AmeriCollector is trademarked,” Aug. 19) I joked about getting our trademark with the help of “our high-profile …

King of pawn: Rick Harrison of ‘Pawn Stars’ talks about the shop and collecting

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~ An AmeriCollector.com Exclusive ~ . It’s no secret that I’m a huge fan of “Pawn Stars” on the History Channel (or HISTORY, as they prefer to be called). It …

Johnny be there! Guitars are in the mix at Christie’s musical instruments auction April 29

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~ An AmeriCollector.com Exclusive ~ . For those looking to invest in the vintage guitar market, now may be a great time to do so: The market peaked at the …

Restoration angels: The History Channel’s ‘American Restoration’ premieres April 15

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~ An AmeriCollector.com Exclusive ~ . April 15: a date that always reminds me of death, taxes, and collecting … and whether money owed to the IRS will put a …

Chicago and beyond: Art Shay photo exhibition features 60 years of unforgettable moments

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~ An AmeriCollector.com Exclusive ~ . A buff and smiling yet self-conscious-looking Marlon Brando, age 26, relaxes on his Libertyville, Ill., farm in the company of his spaniel, that steadiest …

Ben Isitt: The evil genius behind the scenes at the Black Lake Haunted Asylum

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“Those lab specimens … those body parts … Are they REAL?” You may well be asking yourself that if you work up the courage to show up during “visiting hours” …

Calalogs received

‘Collector’s items’

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AUCTIONS Railroad memorabilia (closes Fri., Aug. 26, at 5 p.m. MDT). Auction Catalog 80 features more than 500 individual lots. This is the auction that serious railroad buffs watch for …

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25 Jul 2011

AUCTIONS American History (closes Aug. 1). Cowan’s Auctions, Cowanauctions.com Autographs (closes Aug. 10). RRAuction, RRauction.com . BOOKS, ETC. Fifty Rare Works in Science, Medicine and Thought (Catalog 40): Featuring classic …

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150th Anniversary of the American Civil War